15 Results for : gingerly
-
Dude , Hörbuch, Digital, ungekürzt, 331min
The high-stepping mare balked, tossing a proud but weary head, and whinnied a protest as the dust-covered gambler stood high in his stirrups and surveyed the forbidding terrain in front of him. A hundred miles.... Maybe more, he thought. A burned and blasted desert...filled with hostiles, and no water but what he carried in the two canteens slung over his saddle horn. A wide-open inside straight if ever there was one, he cursed angrily, knowing there was no choice but to draw to it despite the odds. Not more than an hour behind him were nine, maybe 10, hired guns. The gambler gritted his teeth and roweled the lathered flanks of the mare. She reared at this latest outrage, plunged, and then resigned herself to the rider's choice. Gingerly, hesitantly, she stepped out onto the rocky, splintered surface. Wes Farley knew the mare was trying to warn him that death waited for both of them out there under that blistering sun. If Wes prided himself on being a gentleman, despite his disheveled finery, he was also aware that the mare considered herself a lady, and not used to the treatment she'd received over the past few days. She was a creature that thrived on pampering and was bred for speed and beauty. Wes suppressed with difficulty a natural feeling of guilt for pushing her so hard. While nothing might catch her over the short haul, almost anything on four legs could outdistance her in time...and that was a commodity Wes Farley was critically short of. A week now they had been dogging him...ever since Central City and the game.... ungekürzt. Language: English. Narrator: Edward Easton. Audio sample: https://samples.audible.de/bk/acx0/104447/bk_acx0_104447_sample.mp3. Digital audiobook in aax.- Shop: Audible
- Price: 9.95 EUR excl. shipping
-
More than Just a Voice: The Real Secret to Voiceover Success , Hörbuch, Digital, ungekürzt, 261min
Once a week, on average, I get a call from someone with a "really nice voice". He (or she) has been told by co-workers, friends, and family so many times that he has a terrific voice that he can't ignore it any more. His call to me is a first step in what he hopes will be a lucrative career in voice acting. Why me? Because I'm a well-known voice actor, and I have worked hard to gain that reputation. In seven years of blogging only to the community of voice actors, specifically on the subject of voice acting, I've educated myself and others on the challenges of being a freelance voice artist. My first diplomatic answer to my caller is: being a success in voice acting requires more than just a voice. I've had to gingerly explain the real secret to voiceover success so often that it became clear: somebody needed to tell the truth about being a voice-actor. It's hard work! It's a business and should be approached as a business. It takes more than just a voice. By my best ballpark estimate: a good voice will get you about a 10th of a mile down the road of voice-over success. In fact, in the first chapter of More Than Just a Voice: The Real Secret to Voiceover Success, you'll hear me ask: "How well do you handle rejection, even when you know you're better than the competition?" and states, "Accept that growing opportunities are counter-balanced by declining compensations and increasing competition." There is no other voice-over book on the market with more practical advice than this book: The first section of the book gets right to the heart of the matter with some of the nuts 'n' bolts of the business of voiceovers: Five reasons not to produce your own demo Seven essential reminders before you send that audition There is no downtime Finding great copy ungekürzt. Language: English. Narrator: Dave Courvoisier. Audio sample: https://samples.audible.de/bk/acx0/050822/bk_acx0_050822_sample.mp3. Digital audiobook in aax.- Shop: Audible
- Price: 9.95 EUR excl. shipping
-
Dreamland
For fans of Children of Men, Years and Years & Station Eleven, a postcard from a future Britain that's closer than we think.'A beautiful book: thought-provoking, eerily prescient and very witty.' Brit Bennett, author of The Vanishing Half'Water courses through its pages, as rising sea levels heighten inequalities, buoy populist politicians and wash away every certainty of civilisation. But there's also the novel's prose - its liquid grace and glinting sparkle - and the sheer irresistibility of a narrative that sweeps along with a force that feels tidal in its pull.' The Observer''You said that you would come back. You looked me in the eye and said that. Well, if you had, this is what you would have seen: soft wood, black cracks, fridges in the road. The broken spines of old rides at Dreamland.'In the coastal resort of Margate, hotels lie empty and sun-faded 'For Sale' signs line the streets. The sea is higher - it's higher everywhere - and those who can are moving inland. A young girl called Chance, however, is just arriving.Chance's family is one of many offered a cash grant to move out of London - and so she, her mother Jas and brother JD relocate to the seaside, just as the country edges towards vertiginous change. In their new home, they find space and wide skies, a world away from the cramped bedsits they've lived in up until now. But challenges swiftly mount. JD's business partner, Kole, has a violent, charismatic energy that whirlpools around him and threatens to draw in the whole family. And when Chance comes across Franky, a girl her age she has never seen before - well-spoken and wearing sunscreen - something catches in the air between them. Their fates are bound: a connection that is immediate, unshakeable, and, in a time when social divides have never cut sharper, dangerous. Set in a future unsettlingly close to home, against a backdrop of soaring inequality and creeping political extremism, Rankin-Gee demonstrates, with cinematic pace and deep humanity, the enduring power of love and hope in a world spinning out of control.'She vividly captures the balance between ferocity and vulnerability as the two girls explore their burgeoning desire; one minute they're greedy for each other, the next they're proceeding more gingerly. Theirs is a great first love, blazing bright and furious amid the poverty and the pain, the perfect counterweight that's needed to make the novel sing. Dreamland brings us face-to-face with much of what we're on the threshold of losing; nevertheless, it manages to convince us that its characters have everything still to live for.' Guardian'A great coming-of-age story, and a warning.' Evening Standard'This brutal read has moments of hope and love but also serves as a hideous warning to fight for what's right' Daily Mail'Brilliantly bleak... this compelling novel is horribly plausible, chilling and feels like a warning that's come too late.' Daily Mirror 'Chance's life is filled with poverty, crime, drugs and fear - until she meets Franky, a girl unlike anyone else she knows. Their relationship brings light and love...' Daily Express'Rankin-Gee's novel is a triumph, being as much a love letter to the heady ups and crashing lows of youthful entanglements as it is a paean to the former grandeur of its stark coastal setting. Read this now.' GQ'A writer of a new time... A writer we will all want to read again and again.' Monique Roffey, author of the Costa Book of The Year The Mermaid of Black Conch "Dazzling and shattering" Nell Dunn, author of Up- Shop: buecher
- Price: 9.49 EUR excl. shipping
-
-
Fiesta!
Iain Farrington - Fiesta! This recording features four piano works of varying and disparate angles: jazzy, political, pictorial and private. It is music that aims to encompass many contrasting elements, from technical virtuosity to calm simplicity, from tunefully melodic to harshly dissonant, from lightweight fun to melancholic seriousness. Fiesta! Fiesta! Is music about celebrations and merry-making. In seven short movements, the mood is unashamedly joyous, ranging from wild excitement to intimacy. Despite the title, there are no Spanish elements in the music. It was composed and first performed in 2003. Celebration establishes the scene with it's jumpy, knock-about rhythms, and champagne-popping spirit. Lively natterings and gossipings of individuals are heard in Conversations, arguing and laughing about life. To get people on their feet, the Stride Dance launches a lively, bouncing rhythm in a Hammond organ style. A gentle Song relaxes the atmosphere before the pounding, foot-stomping rhythms of Fast Dance. As the festivities draw on, a bluesy Nocturne slackens the pace, with an improvisatory solo at the heart of the movement. Renewed energy is found in the Finale, a carefree fugue that breaks into a frantic dance. The celebrations are nearly brought to a premature conclusion by protestations from the neighbours, but this is a party that could go on and on... Mozart Variations The theme for this set of variations is Figaro's aria Non più andrai, from the end of Act One of Mozart's The Marriage of Figaro. Figaro tells Cherubino that he will no longer be chasing girls, but will be joining the army, marching to victory. The variations are heard as one continuous piece, and exploit the threatening military nature of the aria. Composed at the outbreak of the Iraq war in 2003, the work follows a path from playfulness to swaggering arrogance, through distant fanfares to violence and aggression, culminating in tolling bells and a hollow victory march. Animal Parade Animal Parade is a depiction of ten familiar animals, from the tallest to the fastest, the biggest to the nastiest. It is an affectionate caricature of wildlife, exploring the unusual characteristics of these creatures in an entertaining assortment of organ effects. The work includes an optional narration with verses for each animal by Esther Eidinow. It was composed and first performed in 2007, paired with Poulenc's Babar the Elephant. 1 - Entrance: The stage is set with a lively, rhythmic introduction, capturing a playful mood. 2 - Giraffes: A wide-ranging melody depicts the height and flexibility of the giraffe's long neck. Teetering on fragile thin legs, the piece tiptoes along gingerly. 3 - Barrel organ monkey: Raucous oom-pah off-key music is dispatched on the organ-machine with cold, grim humour. 4 - Hippopotamus: Wallowing in thick muddy water, this is the slow life of a hippo. 5 - Critics: A worthy addition to the menagerie. The music is suitably unoriginal: fatuous fanfares, sarcastic laughter and three distorted quotes from musical masterpieces that received a critical mauling at their premieres. 6 - Blue whale: The gentle heart of the whole set. From the depths of the sea a whale gently rises to the surface for air. 7 - Sparrows: Chirping and darting around the scene, the birds merrily sing to each other. 8 - Penguins: Shaking from the cold, the penguins march along, taking the occasional dive into the sea. 9 - Cheetah: With teeth showing, the cheetah embarks on a wild chase after a hapless prey. 10 - Piranhas: A tense, still atmosphere is interrupted by three bloody feasts. 11 - Alley cats: Slinky and low-down with a bluesy mood, proud cats wander the streets, tails held high. A brief encounter leaves one slightly scratched. 12 - Exit: The opening music is recalled and expanded, providing a happy conclusion to the grand show. Night Journey Night Journey was derived from a request in 2004 to compose some short, relatively simple piano pieces, from Grades 4 to 8 in standard. This grew into 24 miniatures of varying character, still restricted by the original parameters. Although quite straightforward in terms of harmonic and technical difficulty, these pieces explore a wide range of pianistic sounds and textures. The music is often highly expressive and essentially melancholic. It was written not only as a compositional challenge, but also as a way of lifting spirits. The work is loosely based on the key structure of Chopin's Preludes, progressing through each major key and it's relative minor: C major/A minor, G major/E minor, D major/B minor etc. There is also recurring and developed material in movements 1, 7, 13, 19 and 24, giving an overall shape to the work. Iain Farrington has an exceptionally busy and diverse career as a pianist, organist, composer and arranger. He studied at the Royal Academy of Music, London and at St John's College, Cambridge University. As a composer, Iain has written chamber, instrumental, vocal and choral works. He was a featured artist in Musical Opinion, described as 'a musician of exceptional promise and accomplishment...the melodic and harmonic aspects of his music, allied to a genuine creative character, combine to produce an output that is both modern and attractive.' Among notable successes include his suite Fiesta! Performed in the USA, Australia, New Zealand, Sweden, France, Germany, and across Europe and the UK, with several recordings available. Iain has arranged and performed over one hundred diverse works, from Mozart to Gershwin. He is Arranger-in-Residence for the Aurora Orchestra. His solo piano arrangement of Elgar/Payne Symphony No.3 is published by Boosey and Hawkes, and his transcription of Elgar's Five Piano Improvisations was recently published by Novello. His chamber orchestral version of Dvorák's Rusalka was performed across the UK by English Touring Opera. Iain has performed at the Wigmore Hall, Queen Elizabeth Hall, the Purcell Room, the Royal Opera House, and in Japan, South Africa, Jordan and all across Europe. He performed two solo organ works in the BBC Proms 2007 in the Royal Albert Hall, which the Independent described: "This was his Proms debut, and an exciting one. He's an authentic star, and deserves to have a Prom all to himself." He works with many of the country's leading singers and conductors, including Bryn Terfel, Lesley Garrett, Sir Simon Rattle and Sir Colin Davis. Iain is the accompanist for the London Philharmonic Choir, working regularly with Vladimir Jurowski and Kurt Masur. He gives frequent broadcasts on BBC Radio Three and has recorded numerous CD's as accompanist and soloist. He regularly gives solo piano recitals all across the UK, with his repertoire embracing contemporary, British and light music, and his own Farrington Ensemble has performed in festivals across the UK.- Shop: odax
- Price: 20.06 EUR excl. shipping
