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Grazielli25 Results for : grappelli
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Minor Swing
Endlich auf Vinyl! Die Wegbereiter des europäischen Jazz und des Gypsy Jazz Django Reinhardt & Stephane Grappelli mit dem Album "Minor Swing"- Shop: odax
- Price: 18.78 EUR excl. shipping
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Belmondo & Milton Nascimento
Brasilien zählt zu den führenden Musiknationen der Gegenwart und Milton Nascimento zu den originellsten Komponisten des Landes. Sein musikalisches Schaffen ist eine Mischung unterschiedlichster Kulturen, sein Werk steckt voller Kontraste. Er ist mit afrikanischen und europäischen Einflüssen aufgewachsen. Sie sind in seiner Musik ebenso wiederzufinden wie die Sound-Schöpfungen, die man gemeinhin mit seiner Heimat verbindet: Samba, Bossa Nova und Toadas. In den Belmondo-Brüdern hat Nascimento jetzt geistesverwandte Querdenker gefunden, sie sind wie er niemals auszurechnen. Die Karriere der französischen Instrumentalisten, die Arbeiten mit so unterschiedlichen Leuten wie Miles-Davis-Intimus Gil Evans, Filmkomponist Michel Legrand, Jazzviolinist Stéphane Grappelli und Elektroniktüftler DJ Frédéric Galliano umfasst, verlief bisher stets unvorhersehbar. 1993 gründeten Stéphane (Trompete, Flügelhorn) und Lionel (Saxophon, Klarinette, Flöte) ein Hardbop-Quintett, ein Jahr später begleiteten sie Dee Dee Bridgewater auf der Bühne und im Studio (”Love And Peace: A Tribute To Horace Silver”). Milton Nascimento: Vocals, Guitar / Stephane Belmondo: Trumpet, Bugle / Lionel Belmondo: Saxophone, Clarinet / Eric Legnini: Piano / André Ceccarelli: Drums- Shop: odax
- Price: 12.46 EUR excl. shipping
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Djangology+12 Bonus Tracks
Eie komplette Original-LP Djangology (RCA Victor 2319), die 1961 (weniger als ein Jahrzehnt nach Djangos frühem Tod im Jahr 1953 im Alter von 43) zusammengestellt wurde. Als Bonus 12 Tracks aus einer Reihe von 1949 Terminen mit Grappelli in Rom.- Shop: odax
- Price: 12.51 EUR excl. shipping
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For Stéphane (Stéphane Grappelli Centenial) (Avec
Stéphane Grappelli is a major musician in the history of music. It?s impossible for his name to disappear from our collective memory. I remember him with great tenderness, and I admired him immensely. He always used to call me his ?grandson? and, for me, he was the grandfather I no longer had. This record was a way to bring all of us together again, all the musicians and friends who loved him so much, and revive his memory in our minds. Didier LOCKWOOD When he recorded this album in 2008 to cel- Shop: odax
- Price: 18.67 EUR excl. shipping
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Near
'Sinuous and dynamic...phenomenal skills' Real Time Arts. Jazz violin is often dominated by the gypsy swing of Stephane Grappelli and the jazz rock electric style of Jean Luc Ponty. It is especially exciting when a new voice emerges from this underrepresented genre. Julian Ferraretto's debut album - "Near" is a melodically charged collection of original modern jazz compositions, a dash of folk and some well known standards which together bring a fresh rare sound to the jazz violin. "Growing up in the North Eastern side of Adelaide in a largely Italian Community, I wanted this album to capture some of that story. The ancient beauty of Australia's landscape and the energy and hope of the Italian Migrant Community" Julian is joined by the ground breaking musicians from London's Jazz Scene: Steinway Artist Robert Mitchell on Piano (Panacea) Andy Hamill on bass (4Hero) and Justin Woodward on drums. Why jazz violin? "What attracted me to jazz was the idea of improvisation. Violin is viewed as a difficult and sometimes lofty instrument but it's also incredibly versatile and has a great potential to swing." "I'm very drawn to musicians who have changed the sound of the instrument. In the trumpet you see it clearly in Miles Davis - in violin, I found it in Stuff Smith - a full dirty sound - not pretty at all but swinging so hard you can't help but smile when you hear him play" Julian arrived in London in 2002. Before that he'd already toured with award winning "Aire Flamenco", won multiple awards from The Elder Conservatorium and had his compositions premiered at the Adelaide Festival of the Arts and the Sydney Opera House. Since arriving in London he has appeared all over the continent touring with Eksa, Natacha Atlas and Rebecca Hollweg to name a few. He is also plays with Wigmore Hall's creative ensemble "Ignite"- Shop: odax
- Price: 25.46 EUR excl. shipping
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One Two Three Go
THE DEMERITS ONE TWO THREE GO Because children have abounding vitality, because they are in spirit fierce and fee, therefore they want things repeated and unchanged. They always say, "Do it again", and the grown-up person does it again until he is nearly dead. For grown-up people are not strong enough to exult in monotony. But perhaps God is strong enough to exult in monotony. It is possible that God says every morning, "Do it again" to the sun, and every evening, "Do it again" to the moon... It may be that He has the eternal appetite of infancy, for we have sinned and grown old, and our Father is younger than we. The repetition in Nature may not be a mere recurrence, it may be a theatrical encore. --G.K. Chesterton, Orthodoxy One Two Three Go was made over the last weekend of January 2010 entirely in a kitchen, without multi-tracking or special effects, the music happened in real life pretty much as you hear it on the CD. Our music is rooted in the Irish and American folk traditions of jigs, reels, fiddle tunes, blues, and songs. Even the more outlandish original compositions have their origin in one or more kinds of indigenous music. OK, then. About the tunes: ONE TWO THREE GO Composed by John Mortensen John wrote this tune one day at home after finding a really neat chord progression on the mandolin. The tune sounds like something wonderful is about to happen: hence the lyrics. Listen for a familiar hymn tune in there somewhere. THE OTTER CHOP Traditional. Arranged by John Mortensen Three traditional reels make up this set: Down the Broom, The Otter's Holt, and The High Reel. The term chop refers to the rhythmic sound the fiddles make at 1:24 and elsewhere, it's a down home rhythmic way of playing the fiddle and is derived from mandolin playing. KEEP MY SKILLET GREASY Traditional. Arranged by John Mortensen This is an old tune about hard times. John found it in a book somewhere. He wrote the second and third verses. Though the song comes from the American black tradition, this arrangement borrows from the European jazz style of Django Reinhardt and Stephane Grappelli. Well, the times are very hard, gonna buy a sack of lard: Gonna keep my skillet greasy if I can. Gonna go to old man Gene's, buy myself a sack of beans: Gonna keep my skillet greasy if I can. Chorus: If I can, can, can, if I can, can, can: Gonna keep my skillet greasy if I can. Well, my coffee's about to boil: made of dirt and motor oil. Gonna keep my skillet greasy if I can. Now my coffee's gotten cold, probably cuz it's three days old. Gonna keep my skillet greasy if I can. Chorus Well, my pig looks also forsaken cuz tomorrow he'll be bacon: Gonna keep my skillet greasy if I can. And my horse is acting blue cuz tomorrow he's fondue: Gonna keep my skillet greasy if I can. Chorus MONKEYBRAINSHISHKEBAB Composed by John Mortensen This is a little instrumental named after a fine afternoon hiking in the woods. John's kids noticed the osage oranges lying on the ground. One of them commented that they look like monkey brains. A game ensued involving the kids throwing osage oranges into the air and John trying to impale them on a dagger as they descended (the oranges, not the kids). Hence, the game was named Monkeybrainshishkebab. FAREWELL TO IRELAND Traditional. Arranged by John Mortensen and The Demerits A more traditional Irish tune you cannot find. Listen to it get faster as it goes. A TRIP TO GAZOOMINAW Composed by John Mortensen Gazoominaw is one of the many made-up lands created by John and Linda's kids. At one point it was suggested that it was home to wild boars and other unspeakable dangers. One Irish tradition is to name tunes after trips (A Trip to Skye, A Trip to Dublin). While the main tune could be considered to resemble a jig, the composition quickly outstrips the usual confines of traditional tunes and wanders far and wide. THE JUG OF SWEDISH FISH Traditional. Arranged by John Mortensen Here are some jigs for you. The first is known as The Swedish Jig for reasons which are not entirely clear or trustworthy (possibly because of it's odd harmonic wandering into the wrong key?). It is followed by The Ugly Fish, a willful and odd tune which tries to be in both six-eight and three-four time. Next comes the Jig of Slurs (known in Irish circles as The Jug of Slugs). For an ending we hear part of the Swedish Jig (the good part) one more time. SWEET IS THE SOUND Composed by John Mortensen John wrote this over Christmas break in 2009. The lyrics draw from an old-time folk tune called Cotton-Eyed Joe, the poetry of George Herbert (1593-1633), and the 150th Psalm. If you want to know what it means, you have to work it out for yourself. Get out your fiddle, your bow prepare: Play an old tune called Were You There? Wood becomes music, song springs from grain Only when touched by hammer and stain. Chorus: All that has breath, breathe out your part, Awake and play with all your art. Heaven come down, sky meet ground: sweet is the sound. Tune up your guitar, search for the chord: Play a new tune called All Things Restored. Like stretched sinews, by tuning stressed, So all strings must learn what key is best. Chorus LUCKEY HASKINS Composed by John Mortensen Luckey Haskins is an exit off I-75 in northwestern Ohio. It is a barren and desolate place in desperate need of interesting events. If someone made a movie about a fantastic story that took place there, this composition would be the film music. John loves the name because it sounds like it could be a guy's name or possibly a board game. Or a ride at the county fair. LUCY'S REELS Traditional. Arranged by John Mortensen Some more traditional Irish tunes for you. They are: Lucy Campbell's Reel, Lexie McAskil's, Sporting Paddy, and The Barrowburn. SAM-N-EM Composed by John Mortensen John wrote this to give the fiddlers something to do. The first theme is played all together by the fiddles and mandolin. Then Emily gets a turn to solo. Back to the main theme. Then Sam has to shred a solo. Main theme. Then appears a joyful tune, which is more or less a reel in A major. The fiddlers play it together. Turns out playing together is even more fun than playing solos. ROUSTABOUT Traditional. Arranged by John Mortensen This traditional song is also known as Lulu Gal. It's about a girl who is always in trouble, as told from the point of view of the guy trying to get her out of trouble. Where did you get them high top shoes? That dress that you wear so fine? I got my shoes from a railroading man. My dress is from a driver in the mine. Chorus: Hop high, hop high, hop high, my Lulu gal. I'll pawn you my watch and I'll pawn you my chain, I'll pawn you my gold wedding ring, To pay my little Lulu's fine, I'll pawn you my wagon and my team. Chorus Where have you been, my pretty little gal? Where have you been so long? I've been in the pen with the rough and rowdy men, And honey, I'm going back again. Chorus.- Shop: odax
- Price: 25.46 EUR excl. shipping
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Once Upon a Time
This CD is a collection of love songs. And, there's something for everyone - rock to jazz, country rock to rockabilly, even the sounds of 30s / 40s music. It turns out that I am very lucky in love, so I dedicate this to my Monica, who inspired the whole thing. I've also experienced the love of many people who helped me complete this project. They include music-artists from Starving Artist (my coffeehouse on City Island, NY) - Jon Burr (track 5), Jonathan Russell (tracks 5, 10, 11) and Theresa Sareo (tracks 3, 5, 12) - as well as new friend Vickie Russell (tracks 8, 10). Thanks to Anna Foster for her beautiful Orchard Beach (New York) photographs - and for spending a Friday morning with us on the beach. Last, but not least, I thank the 'maestro' John Guth for his wizardry (as CD producer, plus he recorded / mixed / mastered the CD) - and 'Uncle' Bill Yehle and Hannah for 'all those Tuesdays' that I recorded this over a year's period. And, although the songs are my love story, people have told me that they call to mind their own love stories, and celebrate the love in their lives - and I invite you to listen and do the same! REVIEWS - From the Music World... 'Elliott Glick's new release 'Once Upon a Time' is a sumptuous, rich, diverse tour-de-force crafted by a master singer-songwriter operating at the very top of his game. Ably assisted by the ace arranger-producer-engineer John Guth, the songs consist of a rich assortment of styles fully realized with authentic production values and the secret ingredient that drives the whole project - love. If you don't already own the CD, you need to get it. NOW.' -Jon Burr (bassist who has toured and recorded with many great jazz masters, including Stan Getz, Chet Baker, Stephane Grappelli (from 1986-1997), and Buddy Rich, from 1980 to 1985, he toured with Tony Bennett) From Those Who Have Brought the CD... 'Track 11 - 'Like I Do Tonight.' We've put it on full blast on repeat 3 times now. It's stunning. Songwriting perfection. I LOVE it. Thank you!!!!!' 'This album is amazing! Every song is another chapter of joy! I am listening and just having a great time!' '#5 - Elliott, you're a genius.'- Shop: odax
- Price: 20.31 EUR excl. shipping
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