30 Results for : clamour

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    From one of the world's best-selling science-fiction writers: the complete and unabridged audio of this tense and thrilling epic, read by Toby Longworth. AD 3580. The Intersolar Commonwealth has spread through the galaxy to over a thousand star systems. It is a culture of rich diversity with a place for everyone. Even death itself has been overcome. But at the centre of the Commonwealth is a massive black hole. This Void is not a natural artefact. Inside there is a strange universe where the laws of physics are very different to those we know. It is slowly consuming the other stars of the galactic core - one day it will devour the entire galaxy. Inigo, a human, has started to dream of a wonderful existence in the Void. He has a following of millions of believers and they now clamour to make a pilgrimage into the Void to live the life they have been shown. Other starfaring species fear their migration will cause the Void to expand again. They are prepared to stop them no matter what the cost. And so the pilgrimage begins.... ungekürzt. Language: English. Narrator: Toby Longworth. Audio sample: https://samples.audible.de/bk/macm/000406/bk_macm_000406_sample.mp3. Digital audiobook in aax.
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    Now Lee is free from the malevolent ghost of Morris Hawke, his clairvoyant gifts are expanding fast. Too fast for comfort, and he and Gideon find themselves wrestling with his unsettling capacity to see the future. In some ways this new power is wonderful, and Lee finds himself a local hero after predicting a flood. But there's one aspect he can't bear, and that's the blind spot he sees when he thinks about the wedding plans he and Gideon have started to make. It's as if this event, which he wants more than life, simply isn't going to happen. He's troubled and stressed out, and Gideon decides to intervene, whisking him off to an isolated creekside cabin in the mysterious Cornish ria country. All is peaceful there, and the clamour in Lee's head subsides. It's time for companionship, peace, good food, and plenty of sex.... Then a young man wanders out of the woods and turns their blissed-out retreat into chaos. Kitto is harmless - a charming drifter, very handsome. To Gideon he's just a kid, flesh and blood and a bit of a nuisance. But Lee reacts with horror. Since when can Gideon - Lee's rock, his connection to the real world and sanity - see ghosts? Mysterious midsummer is rising in the deep green Cornish countryside, and as the village gears up for the eerie Golowan festival, Lee and Gideon face their toughest case yet: a battle between the real and spirit worlds that threatens to tear their own apart. ungekürzt. Language: English. Narrator: Tim Gilbert. Audio sample: https://samples.audible.de/bk/adbl/031908/bk_adbl_031908_sample.mp3. Digital audiobook in aax.
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    The Great Society is Book 3 of the alternative history series Timeline 10/27/62 – USA.In the alternative timeline of the post-Cuban Missiles War, the swinging 60s never happened.The Great Society is the third verse of the American story of Armageddon. To its friends and enemies, alike the United States seems to have emerged from the October War battered, bruised, but invincible. However, 13 months after the cataclysm terrible wounds remain unhealed and the nation of liberty is riven by conflict. The United States is a country desperately looking to re-find its way; to re-discover its sense of nationhood and purpose. What has happened to the American Dream; is the destiny of the land of the free still manifest?In Washington, DC, there had been an uprising; it is too soon to know if the attack on the Capitol is a coup d’état, a popular uprising ,or simply a massive terroristic assault on the seat of American democracy and government.What price is unity when the war-ravaged states of the American North West and the Great Lakes already feel like battlegrounds in the next war?Across the West, while incumbent Mayors and Governors are asking themselves how they will fend off the deafening clamour of "states rights" movements; the Federal government is struggling to unpick the chaos of a failed coup d’état.The search is on for the traitors who even now still threaten the Union and the recriminations are just beginning. What price is the Great Society?Welcome to the third verse of Timeline 10/27/62 – USA Series.Book 1: AftermathBook 2: California DreamingBook 3: The Great SocietyBook 4: Ask Not of Your CountryBook 5: The American Dream  ungekürzt. Language: English. Narrator: Madeline Clare. Audio sample: https://samples.audible.de/bk/acx0/230795/bk_acx0_230795_sample.mp3. Digital audiobook in aax.
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    Umberto Eco's The Name of the Rose meets Bret Easton Ellis's American Psycho. This brilliant historical epic is inspired by the true story of a man whose crimes were so great he was thought to be a werewolf. In 1563 Paulus Melchior, lawyer, academic and enlightened rationalist, travels with his young assistant Willy Lessinger to the isolated German town of Bideburg where local landowner, Peter Stumpf, is accused of brutally murdering dozens of people. A society still trapped in a medieval mind set, the townsfolk clamour for the killer to be tried as a werewolf. If their demands are met his blameless wife and children will also be executed in the most barbaric way imaginable as agents of Satan and creatures contaminated by wolf blood. Paulus and Willy must fight superstition, the cruelty of those who fear what they don't understand, and a zealous church determined to retain its grip on the souls of Bideburg, in this compelling, utterly unforgettable, shocking tour de force. Neil Mackay is a multi-award winning investigative journalist, newspaper executive, nonfiction author, radio broadcaster and film-maker. His last film, an investigation into the rise of the far right in Europe and America, was nominated for a BAFTA. His book, The War on Truth, which investigated the roots of the invasion of Iraq, was published in the UK and USA. He has written for the Sunday Herald, The Observer, Scotland on Sunday, Ireland's Sunday Tribune, Australia's The Age and most newspapers in Northern Ireland. His first novel, All the Little Guns Went Bang, Bang, Bang was published to great acclaim in 2013. ungekürzt. Language: English. Narrator: Toby Longworth. Audio sample: https://samples.audible.de/bk/adbl/028683/bk_adbl_028683_sample.mp3. Digital audiobook in aax.
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    Preeminent military historian Max Hastings presents Winston Churchill as he has never been seen before. Winston Churchill was the greatest war leader Britain ever had. In 1940, the nation rallied behind him in an extraordinary fashion. But thereafter, argues Max Hastings, there was a deep divide between what Churchill wanted from the British people and their army, and what they were capable of delivering. Himself a hero, he expected others to show themselves heroes also, and was often disappointed. It is little understood how low his popularity fell in 1942, amid an unbroken succession of battlefield defeats. Some of his closest colleagues joined a clamour for him to abandon his role directing the war machine. Hastings paints a wonderfully vivid image of the Prime Minister in triumph and tragedy. He describes the ‘second Dunkirk’, in 1940, when Churchill’s impulsiveness threatened to lose Britain almost as many troops in north-west France as had been saved from the beaches; his wooing of the Americans, and struggles with the Russians. British wartime unity was increasingly tarnished by workers’ unrest, with many strikes in mines and key industries. By looking at Churchill from the outside in, through the eyes of British soldiers, civilians and newspapers - and also those of Russians and Americans - Hastings provides new perspectives on the greatest Englishman. He condemns as folly Churchill’s attempt to promote mass uprisings in occupied Europe, and details ‘Unthinkable’ - his amazing 1945 plan for an Allied offensive against the Russians to liberate Poland. Here is an intimate and affectionate portrait of Churchill as Britain’s saviour, but also an unsparing examination of the wartime nation which he led and the performance of its armed forces. Max Hastings studied at Charterhouse and Oxford and became a foreign correspondent, reporting from more than 60 countries and 11 wars for BBC TV and the London Evening Standard. He h ungekürzt. Language: English. Narrator: Barnaby Edwards. Audio sample: https://samples.audible.de/bk/adbl/018213/bk_adbl_018213_sample.mp3. Digital audiobook in aax.
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    'Hilarious and charming' - Dav Pilkey, bestselling author of Dogman and Captain Underpants Narwhal and Jelly - and Otty?! In the fourth book of this blockbuster early graphic novel series, exuberant Narwhal and sceptical Jelly test the waters of adding a new friend to their pod when they meet Otty the super-adventurous otter!A wonderfully silly early graphic novel series featuring three short stories and a super fun ocean fact page - and joke page too!The perfect first book for young readers, just moving on from picture books, discovering the joys of friendship, working together and the power of imagination. Dive in to more o-fish-ally awesome Narwhal & Jelly books:1. Narwhal: Unicorn of the Sea!2. Super Narwhal and Jelly Jolt3. Peanut Butter and JellyPRAISE FOR Narwhal: Unicorn of the Sea: 'Undersea adventures have never been so darn cute .... The incessant charm and unabashed joy should make this an easy sell. Swimmingly delightful and a guaranteed smile-maker' - Starred Review, Kirkus Reviews'An utterly enchanting start to a series that's bound to be popular among young readers' - Starred Review, School Library Journal'Geez, Narwhal and Jellyfish are adorable. There's no other word as appropriate for this duo& readers will likely clamour for the next outing' - Starred Review, Bulletin of the Center for Children's Books'Bantering dialogue entertains throughout, but the book's best moment might belong to the third story, when Narwhal lends Jelly his "favourite book in the whole wide water, which is blank...". "It's an imagination book, Jelly!... Narwhal explains. Readers ready for underwater goofiness of the non-SpongeBob variety will be eager for more adventures from this duo' - Publishers WeeklyBen Clanton is the author/illustrator of the NARWHAL AND JELLY early graphic novel series as well as IT CAME IN THE MAIL, VOTE FOR ME!, and REX WRECKS IT. When Ben isn't doodling up stories (and often when he is) he likes to cook, explore outdoors, and play basketball. Ben lives in Tacoma, WA with his wife, son and goldendoodle pup.
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    The clamour of nationalism - Race and nation in twenty-first-century Britain: ab 18.99 €
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    Inspired by the idea that music could be haunted by a speaking voice, Matthew Pollard and Peter Kenny's first collaboration This concert will fall in love with you was composed with unprecedented speed and intensity. Peter's first draught of the monodrama sequence arrived, Gothically enough, during the night of a full moon. It was only on meeting Matthew, however, did the strangely heartbroken persona Peter had created begin to find it's true context. After much collaborative discussion, the newly-revised monologues provided the basis for Matthew's spellbinding composition, the most recent addition to a small category of works combining spoken word with an instrumental ensemble. Mindful of the Sitwell-Walton Façade (1951) Matthew decided to directly relate the music to the texts, illustrating the monologues with rhythms and cadences derived from the impassioned tone of the words. Matthew accommodated Peter's voice either freely or within repeating 'episodes' of a few bars each. Matthew's unorthodox choice of instruments (piano, violin, marimba, vibraphone, speaking voice and mixed choir) allowed him to create a vivid variety of tone and texture with an orchestral range of pitch. Musically, the work divides the twelve monologues into three sections. The first and third sections use the theme in it's original, tonally consonant form. The middle section (Variations three to eight) employs an inverted version of the theme, releasing stranger, more dissonant harmonies and reflecting the slightly unhinged abstraction of the words at this point. Clameur (meaning a cry or a plea) is a setting for mixed choir and marimba of a poem from Peter's collection 'The boy who fell upwards'. If This concert will fall in love with you contains a voice somehow trapped inside a concert, Clameur continues the theme of confinement: 'I came to in a coffin/in London's riddled clay/crushed in a tube train/stuck in a tunnel'. The piece fell naturally into two parts. Part one opens with a vocalisation depicting the violent clamour of an Underground journey, with ostinatos driving the piece relentlessly through the labyrinth of the London Tube. This gradually unwinds into the second movement, where the tone is one of ecstatic nostalgia, reflecting the poem's escapist and homesick longing for Guernsey's granite cliffs. In Guernsey there is an ancient legal practice called Clameur de Haro. When a Clameur is raised (by declaiming the Lord's Prayer in French) all protagonists in a dispute must stop and take the matter to a higher authority. The Minotaur is the ultimate victim of confinement. This short poem is in the tradition of dramatic monologue going back to Robert Browning (via Modernists such as T.S.Eliot and Ezra Pound) and hovers between tragedy and comedy. For, almost wilfully, the Minotaur does not understand his own nature or that of the labyrinth in which he has been confined. Matthew completed the music for Minotaur on the morning of the recording and this is the first-and only-take. The right hand of Glen Capra's piano part describes a jittery, anxious surface, while the left hints at dark, subconscious motives. Together they create Minotaur's self-deceiving maze. Our sincere thanks to the choir: Jane Farrell, Tim Gillett, Tanya Izzard, Ric Morris, Anna Orchard, Basil Richmond, Tim Rose, Erika Schilsky, Gill Stephenson and Richard Wilson. Also to Simon Scardanelli location recording, sound engineering and mastering, Adrian Turner artist photos, and Phillip Adams of St Michael & All Angels Church, Brighton, where these recordings were made and 'This concert will fall in love with you' was given it's world premiere in 2010.
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    Andy Garbi Debut solo album: the sound of one Label: Adventures in Sound Catalogue: AIS CD1001 "Inspirational...Garbi's extraordinary, multi-octave vocal range dazzles" Metro "Melodies turn into natural phenomena, into a foggy morning or a swelling ocean. Yet they are all pervaded by a glowing grace, a sublime beauty and dignity" Zillo Magazine "This is a remarkable album...It moves with much deeply felt sensitivity and beauty: with echoes of Samuel Barber's famous Adagio and Debussy's Des Pas sur la Neige plus Brian Eno's old school ambient" Newmusicreviews. Co.UK "Superb music" Musician Magazine "Beautiful" Hans Joachim Roedelius A deeply moving experience from the multi-award winning vocalist and composer, this haunting music embodies Garbi's experiences of extreme emotional and geographical environments. Featuring Andy's distinctive voice that spans almost four octaves and former Jazz Musician of the Year James Hesford on Cello, Violin and Viola, the sound of one is a Neo-classical work, reminiscent of the "holy minimalism" of Arvo Pärt, John Tavener and Henryk Górecki and also the crafted ambience of EG, 4AD and ECM labels. Recently featured on Radio 3's Late Junction, Classic FM's 'The Chill', '21st Century Classics' and The Chiller Cabinet playlist, Andy's dark, emotive style has been selected twice already to represent the UK for music internationally - gaining letters of commendation from the Royal Netherlands Embassy and the Arts Council of England. * WINNER * - PRS Foundation For New Music ATOM Award - (Advances Toward Original Music) - Channel 4 Ideasfactory Film Music Award - (selected by oscar winning film composer Stephen Warbeck) - Birmingham Conservatoire Masters Prize - About Andy Garbi Once Upon a Time... there was a zonally deaf boy whose ears bled. Doctors tried to convince his mother that he could not hear at all but she knew different. He was just prone to being lost in his own head - that still happens but that was then and this is now. Strange that he should choose music to fill his life - here's how it all came about... Voice Andy is no stranger to experimenting with voice. A sparsely equipped sound studio at Art College was the catalyst for him to start producing soundscapes for his films using nothing more than what he could create vocally. In the studio there was no equipment available that could produce anything remotely akin to what he wanted so instead he sang into samplers and used chants and breath to create percussion and texture. He developed these techniques whilst fronting bands and sang whatever came naturally to him. This included using unorthodox techniques and scales which enhanced this 'other-worldly' feel. Although he had no previous exposure to vocal techniques of different cultures the press started to compare him to singers such as Natasha Atlas and Lisa Gerrard. Keen to know more Andy sought out Invaders of the Heart and the 4AD label and also began to look at Bulgarian music, Hindustani classical, Mongolian throat singing and Arabic muezzine styles finding something of what he already did in all of them. This sparked off a journey to India in 2000 to explore this inherent quality in his voice. Andy spent time in Calcutta with vocal master Santanu Bandyopadhyay and even joined a band in the Himalayas comprising Tibetan and Ghurkha musicians (click here for more info). Andy's voice has been mapped out at spanning almost four octaves and not being trained in any particular genre has allowed him to experiment and develop his own idiosyncratic style. Sometimes he uses lyrics, at other times he uses phonetics, even singing invented words. Occasionally lyrics just seem to get in the way - this is when he prefers to create pure sounds because they seem somehow more raw, more direct than words. Andy has sung with the following artists/bands: Nigel Kennedy Live performances Cellorhythmics Starcatcher (Rise of the Cellorettes), Live Performances Suns of Arqa Live Tours Headhunters Lead Vocalist/Co-founder Celtarabia Lead Vocalist / Live Tours Celluloid Backing Vocalist ACE Dance & Music Vocalist/Composer Music Andy's musical world is a retinal image of film, fairy tale and cult children's TV. As well as using his voice Andy loves to use found sounds that he records binaurally in different locations from the clamour of industrial sites to the eerie stillness of remote areas of the world. He manipulates these in the studio and uses them as another instrument alongside classical and traditional instruments from several cultures together with music technology. His dark emotive style has been featured on Classic FM's Chiller Cabinet and Late Night Lisa, also garnering acclaim from the spheres of stage, screen and dance. Although he is currently exploring the ambient neo-classical world, his background in World Dance, Urban Fusion and his own Anglo-Asian heritage means that he is always seeking out new territory. It is this passion that has gained the support of leading artists in all fields of the performing arts. In just five years he has worked with the violin virtuoso Kennedy, award-winning playwright Chris O'Connell, and Birmingham Royal Ballet. He has also made headline appearances at festivals across Europe. Andy has always felt privileged to perform. As co-founder of the group Headhunters he has headlined one of the largest stages at Glastonbury Festival as well as European festivals such as Terschelling's Oerol in the Netherlands. With Headhunters, Suns of Arqa and Celtarabia he has performed at festivals such as The Big Chill and Trans Musicale in France on the same bill as The Prodigy, Jah Wobble, Roni Size, Loop Guru, Trans Global Underground, Banco de Gaia, System 7, Square Pusher, Mix Master Morris, Peat Bog Fairies, Baka Beyond, Kangaroo Moon and Roy Harper. Through his successes of working internationally with music from different cultures Andy was offered a prestigious invitation in 2003 to represent the UK for music. The commission was from a groundbreaking Anglo/Dutch performing Arts initiative and the resulting composition/performance earned him a commendation from both the Royal Netherlands Embassy and the Arts Council of England (click here for more information). Also in 2003 and despite having no formal training in music Andy was invited to study for a Masters degree in composition at Birmingham Conservatoire. He graduated with distinction in 2005 and was also awarded the Conservatoire Masters Prize. In the same twelve-month period Andy also won two other awards for composition from Channel 4 and the PRS Foundation (click here for more information). As well as his solo work Andy has always welcomed the opportunity to collaborate with other artists which has brought his style to an increasingly diverse audience. He sang at the BAC Burst festival (May '05) with physical Theatre group Gecko and progressive band Cellorhythmics and has most recently sung with guests from the City of Birmingham Symphony Orchestra. Several new projects will see Andy working with Japanese Taiko Drumming, experimental theatre and a new Suns of Arqa album (see news page for up and coming collaborations). Influences Film composers: John Barry, Ennio Morricone, Henry Mancini Music: 4AD label (Dead Can Dance, This Mortal Coil, Cocteau Twins) Stop-frame animation: Ray Harryhausen, Jan Svankmajer Film directors: Jean-Pierre Jeunet, Michel Gondry Photography: Ralph Eugene Meatyard, Frederick Sommer Also - extreme weather (Storms, Ice and Snow), Eastern European fairy tale, early children's TV (Gerry Anderson, Heidi, White Horses, Belle et Sébastien) and remote places. Earliest Memory of Music "I remember as a small child just standing transfixed in front of the TV with goose-bumps and the hairs standing on my arms. The music cut through me like I was made of air and whenever I hear it the same magical experience happens. The music was by John Barry and it was the theme tune to a TV series called The Persuaders". Film Andy has
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