28 Results for : mordantly

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    A wildly imaginative, rebellious, and tender tale of independence from the critically acclaimed author of Bad Marie. With each new novel, Marcy Dermansky deploys her "brainy, emotionally sophisticated" (New York Times) prose to greater and greater heights, and The Red Car is no exception. Leah is living in Queens with a possessive husband she doesn't love and a long list of unfulfilled ambitions when she's jolted from a thick ennui by a call from the past. Her beloved former boss and friend, Judy, has died in a car accident and left Leah her most prized possession and, as it turns out, the instrument of Judy's death: a red sports car. Judy was the mentor Leah never expected. She encouraged Leah's dreams, analyzed her love life, and eased her into adulthood over long lunches away from the office. Facing the jarring disconnect between the life she expected and the one she is now actually living, Leah takes off for San Francisco to claim Judy's car. In sprawling days defined by sex, sorrow, and unexpected delight, Leah revisits past lives and loves in search of a self she abandoned long ago. Piercing through Leah's surreal haze is the enigmatic voice of Judy, as sharp as ever, providing wry commentary on Leah's every move. Dermansky evokes yet another edgy, capricious, and beautifully haunting heroine - one whose search for realization is as wonderfully unpredictable and hypnotic as the twists and turns of the Pacific Coast Highway. Tautly wound, transgressive, and mordantly funny, The Red Car is an incisive exploration of one woman's unusual route to self-discovery. ungekürzt. Language: English. Narrator: Soneela Nankani. Audio sample: https://samples.audible.de/bk/blak/009199/bk_blak_009199_sample.mp3. Digital audiobook in aax.
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    The acclaimed author of The Borrower returns with a dazzlingly original, mordantly witty novel about the secrets of an old-money family and their turn-of-the-century estate, Laurelfield. Meet the Devohrs: Zee, a Marxist literary scholar who detests her parents' wealth but nevertheless finds herself living in their carriage house; Gracie, her mother, who claims she can tell your lot in life by looking at your teeth; and Bruce, her stepfather, who is stockpiling supplies for the Y2K apocalypse and perpetually late for his tee time. Then there's Violet Devohr, Zee's great-grandmother, who, they say, took her own life somewhere in the vast house and whose massive oil portrait still hangs in the dining room. Violet's portrait was known to terrify the artists who resided at the house from the 1920s to the 1950s, when it served as the Laurelfield Arts Colony - and this is exactly the period Zee's husband, Doug, is interested in. An out-of-work academic whose only hope of a future position is securing a book deal, Doug is stalled on his biography of the poet Edwin Parfitt, once in residence at the colony. All he needs to get the book back on track - besides some motivation and self-esteem - is access to the colony records, rotting away in the attic for decades. But when Doug begins to poke around where he shouldn't, he finds Gracie guards the files with a strange ferocity, raising questions about what she might be hiding. The secrets of the hundred-year house would turn everything Doug and Zee think they know about her family on its head - that is, if they were to ever uncover them. In this brilliantly conceived, ambitious, and deeply rewarding novel, Rebecca Makkai unfolds a generational saga in reverse, leading the reader back in time on a literary scavenger hunt as we seek to uncover the truth about these strange people and this mysterious house. ungekürzt. Language: English. Narrator: Jen Tullock. Audio sample: https://samples.audible.de/bk/rhuk/002288/bk_rhuk_002288_sample.mp3. Digital audiobook in aax.
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    After the towering stilettos of The Devil Wears Prada comes a biting, mordantly funny debut novel about the extremely unladylike business of publishing a very ladylike magazine. Once there was a little girl from Fargo, North Dakota, named Maggie Goldfarb who grew up, moved to Manhattan, and morphed into Magnolia Gold, the highly paid editor in chief of Lady magazine. With a corner office, a designer wardrobe, and dozens of loyal employees, Magnolia has been hired to update the dowager of women's magazines. She's on her way to giving Lady a face-lift when she is ignominiously replaced by Bebe Blake, a brash television personality who remakes the magazine in her own hilariously inappropriate image. With her ketchup-red hair, skintight clothes, and penchant for "boy toys", Bebe is more out of control than a speeding limo. Maddeningly unpredictable, she confounds everyone at the newly christened Bebe with her personal vision of what a women's magazine should be, and baffles them further with her bawdy sense of humor and over-the-top generosity. Shunted off to the darkest corners of executive purgatory - an overlooked back office she shares with a cockroach or two - Magnolia seethes from the sidelines as Bebe turns her beloved, once-profitable Lady into a sideshow. As things go from bad to worse, Magnolia fears that her career will never recover, but even she can't predict how deeply satisfying her eventual triumph will be. And not just at work: amidst the frenzy of backstabbing at the office, Magnolia finds Mr. Right in a city of Mr. Not-Quites.Inspired by real-life events, Little Pink Slips is about the fall, rise, and sweet revenge of a woman who witnesses corporate shenanigans at their most flagrant. Filled with gossipy revelations about celebrity obsession and behind-the-scenes details of the media business in all its malfeasant glory, this novel is delicious, can't-stop-reading fun. ungekürzt. Language: English. Narrator: Laural Merlington. Audio sample: https://samples.audible.de/bk/tant/000407/bk_tant_000407_sample.mp3. Digital audiobook in aax.
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    Candide is a French satire first published in 1759 by Voltaire, a philosopher of the Age of Enlightenment. It begins with a young man, Candide, who is living a sheltered life in an Edenic paradise and being indoctrinated with Leibnizian optimism by his mentor, Professor Pangloss. The work describes the abrupt cessation of this lifestyle, followed by Candide's slow, painful disillusionment as he witnesses and experiences great hardships in the world. Voltaire concludes with Candide, if not rejecting optimism outright, advocating a deeply practical precept, 'we must cultivate our garden', in lieu of the Leibnizian mantra of Pangloss, 'all is for the best' in the 'best of all possible worlds'. Candide is characterised by its sarcastic tone as well as by its erratic, fantastical, and fast-moving plot. A picaresque novel with a story similar to that of a more serious coming-of-age narrative (Bildungsroman), it parodies many adventure and romance clichés, the struggles of which are caricatured in a tone that is mordantly matter-of-fact. Still, the events discussed are often based on historical happenings, such as the Seven Years' War and the 1755 Lisbon earthquake. As philosophers of Voltaire's day contended with the problem of evil, so too does Candide in this short novel, albeit more directly and humorously. Voltaire ridicules religion, theologians, governments, armies, philosophies, and philosophers through allegory; most conspicuously, he assaults Leibniz and his optimism. "As expected by Voltaire, Candide has enjoyed both great success and great scandal. Immediately after its secretive publication, the book was widely banned because it contained religious blasphemy, political sedition and intellectual hostility hidden under a thin veil of naïveté. However, with its sharp wit and insightful portrayal of the human condition, the novel has since inspired many later authors and artists to mimic and adapt it. Today, Candide ungekürzt. Language: English. Narrator: Kevin Kollins. Audio sample: https://samples.audible.de/bk/acx0/105276/bk_acx0_105276_sample.mp3. Digital audiobook in aax.
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    In the spirit of his highly acclaimed and influential book Reality Hunger, David Shields has composed a mordantly funny, relentlessly self-questioning self-portrait based on questions that interviewers have asked him over forty years. David Shields decided to gather every interview he's ever given, going back nearly forty years. If it was on the radio or TV or a podcast, he transcribed it. He wasn't sure what he was looking for, but he knew he wasn't interested in any of his own answers. The questions interested him-approximately 2,700, which he condensed and collated to form twenty-two chapters focused on such subjects as Process, Childhood, Failure, Capitalism, Suicide, and Comedy. Then, according to Shields, "the real work began: rewriting and editing and remixing the questions and finding a through-line." The result is a lacerating self-demolition in which the author-in this case, a late-middle-aged white man-is strangely, thrillingly absent. As Chuck Klosterman says, "The Very Last Interview is David Shields doing what he has done dazzlingly for the past twenty-five years: interrogating his own intellectual experience by changing the meaning of what seems both obviously straightforward and obviously wrong." Shields's new book is a sequel of sorts to his seminal Reality Hunger: A Manifesto, which Literary Hub recently named one of the most important books of the last decade. According to Kenneth Goldsmith, "Just when you think Shields couldn't rethink and reinvent literature any further, he does it again. The Very Last Interview confirms Shields as the most dangerously important American writer since Burroughs."
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    In the spirit of his highly acclaimed and influential book Reality Hunger, David Shields has composed a mordantly funny, relentlessly self-questioning self-portrait based on questions that interviewers have asked him over forty years. David Shields decided to gather every interview he's ever given, going back nearly forty years. If it was on the radio or TV or a podcast, he transcribed it. He wasn't sure what he was looking for, but he knew he wasn't interested in any of his own answers. The questions interested him-approximately 2,700, which he condensed and collated to form twenty-two chapters focused on such subjects as Process, Childhood, Failure, Capitalism, Suicide, and Comedy. Then, according to Shields, "the real work began: rewriting and editing and remixing the questions and finding a through-line." The result is a lacerating self-demolition in which the author-in this case, a late-middle-aged white man-is strangely, thrillingly absent. As Chuck Klosterman says, "The Very Last Interview is David Shields doing what he has done dazzlingly for the past twenty-five years: interrogating his own intellectual experience by changing the meaning of what seems both obviously straightforward and obviously wrong." Shields's new book is a sequel of sorts to his seminal Reality Hunger: A Manifesto, which Literary Hub recently named one of the most important books of the last decade. According to Kenneth Goldsmith, "Just when you think Shields couldn't rethink and reinvent literature any further, he does it again. The Very Last Interview confirms Shields as the most dangerously important American writer since Burroughs."
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    • Price: 14.99 EUR excl. shipping
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    Family Album is Ecuadorian author Gabriela Alemán's rollicking follow-up to her acclaimed English-language debut, Poso Wells.Alemán is known for her spirited and sardonic take on the fatefully interconnectedand often highly compromisedforces at work in present-day South America, and particularly in Ecuador. In this collection of eight hugely entertaining short stories, she teases tropes of hardboiled detective fiction, satire, and adventure narratives to recast the discussion of national identity. A muddy brew of pop-culture and pop-folklore yields intriguing, lesser-known episodes of contemporary Ecuadorian history, along with a rich cast of unforgettable characters whose intimate stories open up onto a vista of Ecuador's place on the world stage.From a pair of deep-sea divers using Robinson Crusoe's map of a shipwreck to locate sunken treasure in the Galápagos Archipelago, to a night with the husband of Ecuador's most infamous expat, Lorena Bobbit, this series of cracked family portraits provides a cast of picaresque heroes and anti-heroes in stories that sneak up on a reader before they know what's happened: they've learned a great deal about a country whose more well known exportssoccer, coffee and cocoamask an intriguing national story that's ripe for the telling."Ecuadorian writer Alemán's sparkling collection (after the novel Poso Wells) brims with humor and adventure."Publishers Weekly"It takes a rare and talented writer to create a cast of characters who each feel so unique, distinct, and whose stories unravel unexpectedly while also feeling inevitable, exactly right. Thoughtful and subversive, with Family Album, Alemán has given us a gift."Jean Kyoung Frazier, author of Pizza Girl"Divers, adventurers, wrestlers, athletes: a diverse array of people come to light in these stories to insist again and again in challenging the weight of the written letter. Gabriela Alemán's stories inhabit the past to work through its possible versions. Her characters understand that History is a form of desire and the truth is not a house but a patina covering a place that has ceased to exist."Yuri Herrera, author of A Silent Fury: The El Bordo Mine Fire"Gabriela Alemán's stories unravel a rich and intriguing universe in which nothing, and no one, is what it seems."Pilar Quintana, author of The Bitch"These stories are like lizards lying on rocks in the sun. When you try to pick one up it darts away and disappears. Sometimes a tail comes off in your hand or the thing bites your fingers and drops of blood decorate the rock. Best read while listening to Julio Jaramillo sing 'Amor sin Esperanza' and 'Hojas Muertas.'"Barry Gifford, author of Sailor & Lula: The Complete Novels"Gabriela Alemán writes beautiful, sly, enigmatic stories originating in a rogues gallery of real life legends, including El Santo and John Wayne Bobbitt, as well as lesser known and invented souls, all of them struggling against the silentor is it hostile?backdrop of Ecuador's past and present. Family Album is a mordantly funny and haunting collection."Zachary Lazar, author of Vengeance
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    • Price: 9.95 EUR excl. shipping
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    Family Album is Ecuadorian author Gabriela Alemán's rollicking follow-up to her acclaimed English-language debut, Poso Wells. Alemán is known for her spirited and sardonic take on the fatefully interconnected?and often highly compromised?forces at work in present-day South America, and particularly in Ecuador. In this collection of eight hugely entertaining short stories, she teases tropes of hardboiled detective fiction, satire, and adventure narratives to recast the discussion of national identity. A muddy brew of pop-culture and pop-folklore yields intriguing, lesser-known episodes of contemporary Ecuadorian history, along with a rich cast of unforgettable characters whose intimate stories open up onto a vista of Ecuador's place on the world stage. From a pair of deep-sea divers using Robinson Crusoe's map of a shipwreck to locate sunken treasure in the Galápagos Archipelago, to a night with the husband of Ecuador's most infamous expat, Lorena Bobbit, this series of cracked ?family portraits? provides a cast of picaresque heroes and anti-heroes in stories that sneak up on a reader before they know what's happened: they've learned a great deal about a country whose more well known exports?soccer, coffee and cocoa?mask an intriguing national story that's ripe for the telling. "Ecuadorian writer Alemán's sparkling collection (after the novel Poso Wells) brims with humor and adventure."?Publishers Weekly "It takes a rare and talented writer to create a cast of characters who each feel so unique, distinct, and whose stories unravel unexpectedly while also feeling inevitable, exactly right. Thoughtful and subversive, with Family Album, Alemán has given us a gift."?Jean Kyoung Frazier, author of Pizza Girl "Divers, adventurers, wrestlers, athletes: a diverse array of people come to light in these stories to insist again and again in challenging the weight of the written letter. Gabriela Alemán's stories inhabit the past to work through its possible versions. Her characters understand that History is a form of desire and the truth is not a house but a patina covering a place that has ceased to exist."?Yuri Herrera, author of A Silent Fury: The El Bordo Mine Fire "Gabriela Alemán's stories unravel a rich and intriguing universe in which nothing, and no one, is what it seems."?Pilar Quintana, author of The Bitch "These stories are like lizards lying on rocks in the sun. When you try to pick one up it darts away and disappears. Sometimes a tail comes off in your hand or the thing bites your fingers and drops of blood decorate the rock. Best read while listening to Julio Jaramillo sing 'Amor sin Esperanza' and 'Hojas Muertas.'"?Barry Gifford, author of Sailor & Lula: The Complete Novels "Gabriela Alemán writes beautiful, sly, enigmatic stories originating in a rogues gallery of real life legends, including El Santo and John Wayne Bobbitt, as well as lesser known and invented souls, all of them struggling against the silent?or is it hostile??backdrop of Ecuador's past and present. Family Album is a mordantly funny and haunting collection."?Zachary Lazar, author of Vengeance
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    • Price: 15.99 EUR excl. shipping


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