40 Results for : desp

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    Koel Kinderstiefel Gummistiefel Bot Desp Fecho Girls Star Rot KO519-11
    Koel Kinderstiefel Gummistiefel Bot Desp Fecho Girls Star Rot KO519-11 In Mädchengrößen erhältlich 34. Jetzt Gummistiefel Bot Desp Fecho Girls Star Rot KO519-11 von Koel auf Spartoo.de versandkostenfrei bestellen!
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    Koel Kinderstiefel Gummistiefel Bot Desp Fecho Girls Star Rot KO519-11
    Koel Kinderstiefel Gummistiefel Bot Desp Fecho Girls Star Rot KO519-11 In Mädchengrößen erhältlich 35. Jetzt Gummistiefel Bot Desp Fecho Girls Star Rot KO519-11 von Koel auf Spartoo.de versandkostenfrei bestellen!
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    Peñaherrera Melo:Manifiesto Slow - Desp
    Erscheinungsdatum: 03.07.2019, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: Manifiesto Slow - Desplazamientos hacia el diseño de experiencias, Titelzusatz: Una mirada de lentitud y memoria, velocidad y olvido aplicado al diseño de experiencias, Autor: Peñaherrera Melo, Cristóbal Alonso, Verlag: EAE, Sprache: Spanisch, Rubrik: Philosophie // Populäre Darstellungen, Seiten: 56, Informationen: Paperback, Gewicht: 102 gr, Verkäufer: averdo
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    • Price: 36.29 EUR excl. shipping
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    Peñaherrera Melo:Manifiesto Slow - Desp
    Erscheinungsdatum: 03.07.2019, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: Manifiesto Slow - Desplazamientos hacia el diseño de experiencias, Titelzusatz: Una mirada de lentitud y memoria, velocidad y olvido aplicado al diseño de experiencias, Autor: Peñaherrera Melo, Cristóbal Alonso, Verlag: EAE, Sprache: Spanisch, Rubrik: Philosophie // Populäre Darstellungen, Seiten: 56, Informationen: Paperback, Gewicht: 102 gr, Verkäufer: averdo
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    • Price: 36.29 EUR excl. shipping
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    FAB 142591403 | Bayomo Lüfter 72w 3600lm Nickel 4 Flügel Desp. 32x55 / 108 D.3 Farbe Remote-DC-Motor
    Ventilator BAYOMO aus Metall, Polycarbonat und Methacrylat, in der Farbe NICKEL mit vier hochbeständigen, transparenten Methacrylat-Flügeln. Gleichspannungs Motor. Es hat sechs einstellbare Geschwindigkeiten. Integrierte LED-Technologie mit einer Leistung von 72W, mit 3 LICHTTEMPERATUREN (3000-4000-6500K) und 3600 Lumen. Sommer- oder Winterluftregelung. Seine Maße betragen 32X55 Zentimeter mit eingeklappten Klingen und 32X108 Zentimeter mit ausgeklappten Klingen. Fernbedienung INKLUSIVE mit integriertem FARBSPEICHER und TIMER 1/2/4/8 H. Modell auch in Weiß erhältlich. Energieeffizienzklasse : A+ Farbe : Níquel Rückgabe : DC EAN : 8435161491831 Hersteller : FABRILAMP Lumen (lm) : 7200 Fernbedienung : Ja Material : Metal / Metacrilato / Policarbonato Maßnahmen : 32/47x55/108 cm Anzahl der schaufeln : 4 Leistung (W) : 72 W Referenz : 142591403 Modell - / seriennummer modell : Bayomo Art der installation : Oppervlak Licht : 3000 Licht : 6000 Licht : 4000 Aktueller Typ : DC Geschätzte
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    • Price: 223.35 EUR excl. shipping
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    Gomes Gonçalves:O livro 'Quarto de desp
    Erscheinungsdatum: 17.08.2015, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: O Livro 'Quarto de Despejo,' de Carolina Maria de Jesus, Autor: Gomes Goncalves Emanuel Regis, Verlag: BLUES KIDS OF AMER, Sprache: Portugiesisch, Schlagworte: Language Arts // Linguistics // Literacy // LANGUAGE ARTS & DISCIPLINES, Rubrik: Sprachwissenschaft // Allg. u. vergl. Sprachwiss., Seiten: 116, Gewicht: 191 gr, Verkäufer: averdo
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    • Price: 48.09 EUR excl. shipping
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    Observations on Public Liberty, Patriotism, Ministerial Desp
    Erscheinungsdatum: 24.02.2020, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: Observations on Public Liberty, Patriotism, Ministerial Despotism, and National Grievances, Titelzusatz: With Some Remarks on Riots, Petitions, Loyal Addresses, and Military Execution. in a Letter to the Freeholders of the County of Middlesex, and the Livery of London, Verlag: HardPress Publishing, Sprache: Englisch, Schlagworte: HISTORY // General, Rubrik: Geschichte, Seiten: 36, Informationen: Paperback, Gewicht: 69 gr, Verkäufer: averdo
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    • Price: 14.49 EUR excl. shipping
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    La Casa de los espiritus
    Primera novela de la autora, que narra la saga de una poderosa familia de terratenientes latinoamericanos. Primera novela de Isabel Allende, La casa de los esp tus narra la saga de una poderosa familia de terratenientes latinoamericanos. El desp tico patriarca Esteban Trueba ha construido con mano de hierro un imperio privado que empieza a tambalearse con el paso del tiempo y un entorno social explosivo. Finalmente, la decadencia personal del patriarca arrastrar los Trueba a una dolorosa desintegraci n. Atrapados en unas dram cas relaciones familiares, los personajes de esta poderosa novela encarnan las tensiones sociales y espirituales de una ca que abarca gran parte de este siglo. La casa de los esp tus ha sido adaptada al cine en una pel la protagonizada por Jeremy Irons, Meryl Streep y Antonio Banderas.
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    • Price: 12.99 EUR excl. shipping
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    The Cap: How Larry Fleisher and David Stern Built the Modern NBA , Hörbuch, Digital, ungekürzt, 770min
    Today the salary cap is an NBA institution, something fans take for granted as part of the fabric of the league or an obstacle to their favorite team’s chances to win a championship. In the early 1980s, however, a salary cap was not only novel but nonexistent. The Cap tells the fascinating, behind-the-scenes story of the deal between the NBA and the National Basketball Players Association that created the salary cap in 1983, the first in all of sports, against the backdrop of a looming players’ strike on one side and threatened economic collapse on the other.Joshua Mendelsohn illustrates how the salary cap was more than just professional basketball’s economic foundation - it was a grand bargain, a compromise meant to end the chaos that had gripped the sport since the early 1960s. The NBA had spent decades in a vulnerable position financially and legally, unique in professional sports. It entered the 1980s badly battered, something no one knew better than a few legendary NBA figures: Larry Fleisher, general counsel and negotiator for the National Basketball Players Association; Larry O’Brien, the commissioner; and David Stern, who led negotiations for the NBA and would be named the commissioner a few months after the salary cap deal was reached.As a result, in 1983 the NBA and its players made a novel settlement. The players gave up infinite pay increases, but they gained a guaranteed piece of the league’s revenue and free agency to play where they wished - a combination that did not exist before in professional sports, but as a result, became standard for the NBA, NFL, and NHL as well.The Cap explores in detail not only the high-stakes negotiations in the early 1980s but all the twists and turns through the decades that led the parties to reach a salary cap compromise. It is a compelling story that involves notable players, colorful owners, visionary league and union officials, and a sport trying to solidify a bright future desp ungekürzt. Language: English. Narrator: Stephen Bowlby. Audio sample: https://samples.audible.de/bk/acx0/227693/bk_acx0_227693_sample.mp3. Digital audiobook in aax.
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    • Price: 9.95 EUR excl. shipping
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    Sonidos de Nueva Espaa
    Piano music by Mexican composers is not often heard outside Mexico. While the composers of Mexico have not focused on the piano like those of many other countries of Latin America, and throughout the world, there is much Mexican piano music that is well worth listening to and getting to know intimately. The works that appear in this recording were selected based on my personal taste, and include some of my favorite pieces by my favorite Mexican composers for the piano. All of these works were published by the same firm, Ediciones Mexicanas de Música (Edimex), whose co-founder and long time director was Rodolfo Halffter. Halffter (1900-1987) emigrated from Spain to Mexico following the Spanish Civil War, became a Mexican citizen, and lived the rest of his long life in Mexico. He threw himself into the musical life of the country, creating and editing a music journal, teaching at the national conservatory, conducting orchestras, and writing a great deal of excellent music. The two pieces I have included by Halffter show some of his range as a composer. The first, Homenaje a Antonio Machado, written in 1944, could be called neo-classical or neo-Baroque in style. It was written in honor of one of Spain's greatest 20th century poets, with fragments of his poetry attached to each of the movements. A short poem is appended to the work as a whole, one with particular poignancy for a composer, or for any artist. It advises the reader to wait for the tide to come, just as a ship would. But if the tide doesn't arrive, continue to wait, and in the end, well, it doesn't really matter. The second selection by Halffter, Secuencia, is a late work, from 1977, and is quite different in style. It is written based on Halffter's own adaptation of twelve-tone technique. Twelve-tone rows appear in each movement, but his selection of intervals, and his use of repetition of fragments, gives this music a far different sound from the music of Schoenberg, Webern and most of their followers. It is playful, colorful, and quite approachable. The titles reveal Halffter's sense of irony: we have the prelude, which should come before the main piece, we have the interlude, which might come between movements, and we close with the postlude. Where is the actual piece? Both Homenaje and Secuencia exhibit Halffter's characteristic focus on articulation and counterpoint, and his use of decorative figures. Another composer, Federico Ibarra Groth (1946 -), is also represented by two works. Ibarra is one of those rare composers who has developed his own very distinctly individual voice at the piano. He has chosen to focus on writing sonatas for piano, a fairly unusual form for the late 20th and early 21st century. Six have been completed as of this date (the sixth was published in 2002), and they comprise a remarkable body of work. They are tied together by underlying compositional elements, but in a way that has little to do with the scholastic pedantry of many modern composers. Ibarra is, himself, a pianist and writes in a very pianistic way. He has explored many of the sonic possibilities of the instrument, and has created techniques that can be used to coax fresh and compelling sounds, from the delicate and ethereal to the wildly passionate. He weaves a magic spell from patterns that sometimes seem so immediate and obvious, one wonders why nobody else ever came up with them. I have chosen to record Ibarra's second and third sonatas for this CD. The second, written in 1982, is a one movement sectional work. It opens with a flourish that is repeated twice later in the piece as a punctuation between sections, and appears as an echo at the very end. The three sections are quite distinct from one another, ranging in character from the virtuosic and bombastic to the most delicate filigree. His third sonata, from 1988, has a title, "Madre Juana," which refers to an opera by Ibarra of that name. The second and third movements contain material taken from the opera, while the first movement is entirely original and is written to evoke the opera's mood. The three movements are connected thematically in many ways, sometimes obviously, other times more subtly. Chromatic melodies and accompaniment patterns are a prominent feature, and, like the second sonata, the range of expression is dramatic. Blas Galindo Dimas (1910-1993) went to Mexico City from his native Jalisco at the age of twenty, planning to study law. An acquaintance persuaded him to attend a concert in which some music by Revueltas was performed, and he changed his mind, enrolling in the National Conservatory instead, where he studied composition, and later became professor and director. Galindo's Siete Piezas (1952) explores a range of harmonic styles, from the severe diatonicism of Chavez to the piquancy of bitonality and quartal harmonies, always with a transparent clarity of line. Of particular note are the fourth piece, a two part invention on a theme that uses all twelve chromatic tones, and the seventh, a perpetuum mobile in which the two hands are often playing the same precise pattern a fourth or a minor third or some other interval apart. José Pablo Moncayo (1912-1958) worked his way through the conservatory as a jazz pianist, and that experience seems to have influenced his style, with it's shifting accents, constant development and alteration of motives, and general improvisatory feel. He is best known outside Mexico for his Huapango for orchestra, a piece that has entered the standard repertory of orchestras around the world. Muros Verdes (1951), while not well known outside Mexico, is a standard piece of literature for young Mexican pianists. Eduardo Hernández Moncada (1899-1995) was José Pablo Moncayo's piano teacher. He spent much of his working life as a performer, conductor and teacher, and only began composing on a really productive basis fairly late in his career. Costeña (1962) is in many ways similar to Muros Verdes, with it's constant development of themes and rhythmic vitality. Underlying it is a "quarrel" between 3/4 and 6/8 time, against which additional off beat accents provide a complex counterpoint. Fred Sturm is a pianist based in Los Ranchos New Mexico, who specializes in the music of Latin America, with a particular emphasis on the work of Heitor Villa-Lobos. His previous recordings include American Rags, Brazilian Tangos, and Afrocuban Dances, Piano Music of Ginastera and Villa-Lobos, Spanish Dances, and Brazilian Soul. This recording is dedicated to my teachers, Eleanore Vail and Morton Schoenfeld. Recorded and mastered by Manny Rettinger, UBIK Sound LLC. Recorded in Keller Hall, University of New Mexico, January 2007 to August 2008. Photos by Terri Reck. Layout by Paul Akmajian. Program notes by Fred Sturm. All music published by Ediciones Mexicanas de Música, Av. Juárez 18, Desp. 206, 0650 México D. F.
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    • Price: 18.42 EUR excl. shipping

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