Pogues - Shopping2000.com

All time christmas favourites

Shop: Notenbuch
Price: 11.99 EUR excl. shipping

Playalong Violin - Christmas hits

Shop: Notenbuch
Price: 15.99 EUR excl. shipping

Easy pickings - Christmas

Shop: Notenbuch
Price: 22.95 EUR excl. shipping

Sing along christmas songs

Shop: Notenbuch
Price: 21.99 EUR excl. shipping

The Urban Voodoo Machine

We know what you?re thinking. You?re thinking: ?Why should I care about The UrbanVoodoo Machine? They?ve been around for ages, haven?t they? Aren´t they a noveltyband who wears funny make-up? Don´t they sometimes play jazz? Aren?t half ofthem dead or something??So bear with us, sunshine, cos you clearly need educating.The story starts with Paul-Ronney Angel, a man with a double-barrelled firstname. I could be a wanker about this and say the story starts with Bon Scott-era AC/DC ? with Tom Waits, or the Clash, Louis Armstrong, the Pogues, the SensationalAlex Harvey Band, Johnny Cash, Lionel Bart or Bertolt Brecht ? but let?s stick withPaul-Ronney, it?s quicker. Paul-Ronney Angel ate his parents and fled the fjords ofNorway with just a bottle of moonshine and several slices of decomposing fish in hisback pocket. (Before he left they tried him in the Norwegian Army ? he lasted a totalof five hours.) After that, Angel washed up in London during the dying breaths of Thatcherism andtook advantage of all that swinging London had to offer: he sold The Big Issue,busked Johnny Thunders & Robert Johnson numbers in Soho bus stops and playedguitar for anyone who´d have him.The Urban Voodoo Machine came to him in 2002 as a fully-formed idea. He´d lead aband who´d play ?Bourbon Soaked Gypsy Blues Bop?n?Stroll?. They?d dress inblack and red. There would be a LOT of them. And their music would sound like agreat night out in a dangerous part of town. From the get-go, The UVM fusedjunkyard blues and stinging rockabilly with mariachi horns, fiddles, sinister cabaretand punk rock tangos. I wanted to play rock´n´roll music with a differentinstrumentation, says Angel, taking inspiration from everything from delta blues,latin and gypsy music without losing the spirit and attitude of punk. His lyrics ? partLemmy, part Bob Dylan ? made other (more acclaimed) songwriters sound totally.Fucking. Boring.We´re not Americana and were definitely not ´retro´, says Angel. I write songsabout living in London right now. Although having a shit time, no money, heartbreak,mental illness, addiction and suppression from the big guy is kinda universal andtimeless, I guess??Yeah-yeah-yeah,? you?re thinking, ?but can they cut it live?? Well, there?s a reasonwhy they?ve played Glastonbury, Download, Latitude, Bestival, Hard Rock Callingand toured with The Pogues and New York Dolls. With an act honed alongside theburlesque dancers, snake-charmers and fire-eaters they call friends, The UVM havebecome one of the greatest live acts in the country ? terrifyingly bizarre, hystericallyfunny; a riot for the eyes and sensation for the ears: a sing-a-long, drink-a-long, clapa-long affair.In 2006 they launched the Gypsy Hotel Club in the then-unfashionable part ofLondon´s East End, Dalston, a monthly Bourbon Soaked Snake Charmin´ Rock´n´Roll Cabaret night for likeminded misfits, movers and shakers. Time Out Magazine wrote,If you have 12 hours to live, spend it at Gypsy Hotel!Magazines and newspapers have lauded them for their ?mariachi-influenced blues,whiskey-soaked country rags and punkabilly-style rave-ups? (The Washington Post)and noted that they?re ?drawing deep from a dirty well where Tom Waits, Nick Caveand Dick Dale are enjoying a burlesque all-nighter with Ennio Morricone (ClassicRock). They became one of the few bands that could appear on Clive Anderson?sLoose Ends on BBC Radio 4 and Britain?s biggest heavy metal festival Download inthe same year and win at both.In 2014, when Paul-Ronney named their third album Love, Drink & Death! he hadno idea what the year had in store. In October, fiddle-player Rob Skipper died ofan accidental heroin overdose, aged just 28. Guitarist Nick Marsh (formerly frontmanof Flesh For Lulu) fought throat cancer throughout that year. He died in June 2015,aged 53. The Voodoo Machine transformed themselves into a New Orleans-stylemarching band for his funeral. The Urban Voodoo Machine Marching Band alsoplayed the Classic Rock Awards that year - the only band to do so without electricity.And that brings us to new album Hellhound Hymns. Marsh plays on eight of its 13songs. (Angel: He was really putting the hours in when he knew the cancer hadcome back. He was like, ´Right, these might be my last recordings with this band, solet´s roll the tape and make it a good one!) To borrow one of the song titles, it?s allmixed-up. It?s part wake, part protest, part valediction ? a party at the gates of hell ?because the greatest tribute you can pay the dead is to live life to the full: ?We willsing and we will dance/We will drink and we will laugh/We will not forget the past andour fallen brothers??

Shop: Konzertkasse
Price: 20.00 EUR excl. shipping

THE DUBLIN LEGENDS - formerly known as The Dubliners

The Dubliners sind Legende, die Dublin Legends schreiben sie fort. Und wenn man diese Legende einmal nachlesen will, klingt sie so:The Galway Races The Ferryman The Banks of the Roses Black Velvet Band 7 Drunken Nights Spanisch Lady The Leaving of Liverpool Rare Auld Mountain Dew AcAlpines Fusiliers Golden Eagle/Green Gate The Fields of Anthenry The Rambling Rover Fiddler?s Green Boys come Rolling Home The Irish Rover The Ballad of Ronnie Drew Dirty Old Town Whiskey in the Jar ?sie schöpfen aus einem Repertoire an Irish-Folk, das so groß ist wie die grüne Insel grün. Und spielen Whiskey in the Jar wie am ersten Tag, dem jüngsten, der Kreis schließt sich Konzert für Konzert. Damit ist im Grunde alles gesagt und geschrieben, ihr Repertoire ist so groß wie die Insel grün, jetzt muss man sie nur noch hören, wie sie Whiskey in the Jar so spielen wie am ersten Tag, und weil es noch etwas hin ist bis zum Konzert, hier ein kurzer Blick die lange Legende entlang:1962 gegründet, aus keinem Irish Pub nie richtig rausgekommen, jedenfalls nie vor Morgengrauen, dann aber auf die großen Bühnen: Auftritte zusammen mit U2, Damien Dempsey und The Pogues, regelmäßige No-1-Hits ... Es ist einfach so, als Irish Folk der Sound der Metropolen war, waren sie die besten.Und starben nach und nach, Barney McKenna war der letzte aus der Ur-Formation, als auch er starb, schien die Legende an ihr Ende gekommen zu sein. Es ist anders gekommen: Wenige Wochen nach Barneys Tod gründeten die, die von den Original-Dubliners über viele Jahre und noch viel mehr Konzerte hinweg aufgezogen worden waren in der Kunst des Irish Folk, die DUBLIN LEGENDS. Sie sind, falls man ein Kulturgut als etwas begreifen möchte, das sich vererben lässt, die rechtmäßigen Erben. Und sind es, sobald man sie hört, zurecht.Inzwischen kehren sie so regelmäßig in die Christuskirche ein, das man denken möchte, das hier sei der irischste Pub diesseits des Kanals: Gerry O?Connor mit der Geige, Paul Watchorn am Banjo, Shay Kavanagh - für den im Oktober 2017 verstorbenen Eamonn Campbell - an den Stimmbändern und der Gitarre, und dann ist da ... ... Séan Cannon, seit 30 Jahren dabei, der Mann, der keine Legende erzählt, sondern sie selber ist.+ + + www.christuskirche-bochum.de

Shop: Konzertkasse
Price: 46.50 EUR excl. shipping