46 Results for : streamed

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    Hyperactivity is a condition of being unconventionally active. Hyperactive people are always up to something. These kinds of people are always active, impulsive in nature, easily distracted, unable to concentrate, or similar behavior. In the year of 1867, the word hyperactive was used in the sense of more activity than usual or desired.People's behavioral study is streamed in Psychology. These kinds of behavior are commonly seen among children. Typical hyperactive behavior is seen as fidgeting and wandering. These people often become depressed or anxious due to their constant activity and people's respond. Often the question comes in mind as hyperactivity is a neurological issue or psychological issue.Hyperactivity is thought to be a neurological issue. It can come from biological ways also. Studies reveal that a child with hyperactivity disorder is four times as likely a relative also diagnosed with the disorder. The term "hyper" is used as a slang for the hyperactive people. Through the understanding of the psychological condition of hyperactive people, it is easier to understand their condition and behave with them amicably.As mentioned, hyperactivity is mostly observed with children. And this may cause a lot of other problems too. This problem occurs because of the inability to stay calm and concentrate on one thing.Hyperactivity often causes hard relationships with friends and family. And can also lead to injuries and even an accident sometimes. It sometimes causes an increased risk of alcohol and drug abuse by that affected person. ungekürzt. Language: English. Narrator: Tracy Tupman. Audio sample: https://samples.audible.de/bk/acx0/212047/bk_acx0_212047_sample.mp3. Digital audiobook in aax.
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    In the early 19th century passenger pigeons accounted for 25 to 40 percent of North America’s birds, traveling in flocks so massive as to block out the sun for hours. Although adults weighed only twelve ounces, they nested and roosted in the millions, destroying large oaks as if hit by hurricanes. Their favorite foods were the seeds and nuts of beech, chestnuts, and other forest trees, but they also raided farmers’ buckwheat, wheat, corn, and rye crops. John James Audubon, remarking on their speed and agility in flight, said a lone passenger pigeon streaking through the forest “passes like a thought.” The observation was prophetic, for although a billion pigeons streamed over Toronto in May of 1860, a mere forty years later passenger pigeons were almost extinct. Martha, the last of the species, died in captivity at the Cincinnati Zoo on September 1, 1914. Their congregation in large numbers made it easy to kill them en masse, and the expansion of railroads and telegraph lines facilitated large hunting parties that supplied pigeons by the thousands to help feed people in growing cities. Audubon, novelist Gene Stratton-Porter, and James Fenimore Cooper were among those who advocated saving the passenger pigeon, but it was too late. Naturalist Joel Greenberg’s beautifully written story of the passenger pigeon provides a cautionary tale that no matter how abundant a resource is - animals, water or oil - it can be wiped out if we are not careful. ungekürzt. Language: English. Narrator: Andy Caploe. Audio sample: https://samples.audible.de/bk/adbl/016910/bk_adbl_016910_sample.mp3. Digital audiobook in aax.
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    An innovative investigation of the inner workings of Spotify that traces the transformation of audio files into streamed experience.Spotify provides a streaming service that has been welcomed as disrupting the world of music. Yet such disruption always comes at a price. Spotify Teardown contests the tired claim that digital culture thrives on disruption. Borrowing the notion of teardown from reverse-engineering processes, in this book a team of five researchers have playfully disassembled Spotify's product and the way it is commonly understood.Spotify has been hailed as the solution to illicit downloading, but it began as a partly illicit enterprise that grew out of the Swedish file-sharing community. Spotify was originally praised as an innovative digital platform but increasingly resembles a media company in need of regulation, raising questions about the ways in which such cultural content as songs, books, and films are now typically made available online.Spotify Teardown combines interviews, participant observations, and other analyses of Spotify's front end with experimental, covert investigations of its back end. The authors engaged in a series of interventions, which include establishing a record label for research purposes, intercepting network traffic with packet sniffers, and web-scraping corporate materials. The authors' innovative digital methods earned them a stern letter from Spotify accusing them of violating its terms of use; the company later threatened their research funding. Thus, the book itself became an intervention into the ethics and legal frameworks of corporate behavior.
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    An innovative investigation of the inner workings of Spotify that traces the transformation of audio files into streamed experience.Spotify provides a streaming service that has been welcomed as disrupting the world of music. Yet such disruption always comes at a price. Spotify Teardown contests the tired claim that digital culture thrives on disruption. Borrowing the notion of "teardown” from reverse-engineering processes, in this book a team of five researchers have playfully disassembled Spotify's product and the way it is commonly understood.Spotify has been hailed as the solution to illicit downloading, but it began as a partly illicit enterprise that grew out of the Swedish file-sharing community. Spotify was originally praised as an innovative digital platform but increasingly resembles a media company in need of regulation, raising questions about the ways in which such cultural content as songs, books, and films are now typically made available online.Spotify Teardown combines interviews, participant observations, and other analyses of Spotify's "front end” with experimental, covert investigations of its "back end.” The authors engaged in a series of interventions, which include establishing a record label for research purposes, intercepting network traffic with packet sniffers, and web-scraping corporate materials. The authors' innovative digital methods earned them a stern letter from Spotify accusing them of violating its terms of use; the company later threatened their research funding. Thus, the book itself became an intervention into the ethics and legal frameworks of corporate behavior.
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    • Price: 11.95 EUR excl. shipping
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    Seinfeld, Friends, Frasier, ER, Cheers, Law & Order, Will & Grace… Here is the funny, splashy, irresistible insiders’ account of the greatest era in television history - told by the actors, writers, directors, producers, and the network executives who made it happen… and watched it all fall apart. Warren Littlefield was the NBC President of Entertainment who oversaw the Peacock Network’s rise from also-ran to a division that generated a billion dollars in profits. In this fast-paced and exceptionally entertaining oral history, Littlefield and NBC luminaries including Jerry Seinfeld, Jason Alexander, Kelsey Grammer, Matt LeBlanc, Lisa Kudrow, Julianna Marguiles, Anthony Edwards, Noah Wylie, Debra Messing, Jack Welch, Jimmy Burrows, Helen Hunt, and Dick Wolf vividly recapture the incredible era of Must See TV. From 1993 through 1998, NBC exploded every conventional notion of what a broadcast network could accomplish with the greatest prime-time line-up in television history. On Thursday nights, a cavalcade of groundbreaking comedies and dramas streamed into homes, attracting a staggering 75 million viewers and generating more revenue than all other six nights of programming combined. The road to success, however, was a rocky one. How do you turn a show like Seinfeld, one of the lowest testing pilots of all time, into a hit when the network overlords are constantly warring, or worse, drowning in a bottle of vodka? Top of the Rock is an addictively readable account of the risky business decisions, creative passion, and leaps of faith that made Must See TV possible. Chock full of delicious behind-the-scenes anecdotes that run the gamut from hilarious casting and programming ploys to petty jealousies and drug interventions, you’re in for a juicy, unputdownable read. ungekürzt. Language: English. Narrator: Bob Balaban. Audio sample: https://samples.audible.de/bk/rand/002998/bk_rand_002998_sample.mp3. Digital audiobook in aax.
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    Firesign Theatre’s David Ossman (as George Tirebiter), comedy legend Shelley Berman, and former SNL comedian Senator Al Franken join the cast of The Comedy-O-Rama Hour for another six misadventures of Sgt. Lefty, Ellis da Boatkeeper, Adam Maxwell, Andy, and Woody (all voiced by Joe Bev); Olive Pitts, Elise, Mrs. Terwilliger, and Lkie (all voiced by Lorie Kellogg); Ron Drysdale and Jimmy (both voiced by James Folly); and Stinky Peter Moss (voiced by Kenny Savoy), as well as the rest of the crazy cabal of Camp Waterlogg characters. Included in this set: Camp Waterlogg Homeland Security Needs to Go-Go-Go! A Happy Camp Waterlogg Father's Day from Uncle Goopie A Camp Waterlogg July 4th Fundraiser Camp Waterlogg: Firesign Gets Waterlogged The Camp Waterlogg Election Special Camp Waterlogg: Shelley Revisited, Part 1 The Comedy-O-Rama Hour is story- and character-driven improvisation that goes beyond sketch comedy to blossom into full-fledged radio theater. Recorded in and around husband-and-wife creative team Joe Bev and Lorie Kellogg's Napanoch, New York, house in the woods, the series first aired on XM Radio in 2002. More than 120 shows and 13 years later, the series is heard weekly on public radio stations nationwide, streamed on the web at bearmanormedia.com, and podcast anytime all over the Internet, including on Waterlogg.com. Joe Bev says, "We have been doing most these characters for more than 12 years now and some I have been voicing for more than 40 years. We no longer have to write what we want to say. The Comedy-O-Rama Hour has also evolved from a scripted to a fully improvised hour of radio theater." Language: English. Narrator: Joe Bevilacqua, Lorie Kellogg, David Ossman, Al Franken, Shelly Berman, Kenny Savoy. Audio sample: https://samples.audible.de/bk/blak/007607/bk_blak_007607_sample.mp3. Digital audiobook in aax.
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    This book sheds light on the future of the anime industry and explicates how emerging technologies will revolutionize the anime industry. Moreover, it also demystifies the critical factors that make an anime series worth watching. Furthermore, you'll find out how to earn substantial money online so that you can afford to procure your own anime collectibles.The future of the anime industry will not only be characterized by dynamism as it continues to metaphorically evolve, but will also be eminently auspicious for customers and anime studios. Technological advancements are profoundly changing the anime industry and is rendering it all the more technology-driven. The behemoth anime industry shows no signs of decelerating anytime in the imminent future. Revenues for the Japanese anime industry reached a record $19,100,000,000 in 2017. (Blair, 2018)Overseas sales, which also includes box office, television rights, remake rights, home entertainment sales and merchandising, grew to a record $8,810,000,000, up around 30 percent from $6,790,000,000 the previous year, according to the AJA. Since 2014, exports have more than tripled. Strong exports, along with solid revenue from licenses to video games and pachinko, have helped sustain eight years of consecutive growth for the industry. 2017 was also the fifth consecutive year of record revenues. Live, anime-related events, which are often streamed, are another growth area for the industry. (Blair, 2018)The anime industry is preordained to experience unprecedented growth in the pending future in spite of Japan’s “slowly shrinking population”. (Blair, 2018) The popularity of anime continues to build traction worldwide among customers. As more customers procure broadband internet connections and as video streaming platforms, such as Netflix and Amazon Prime Video, grow their subscriber bases, the popularity of anime will further grow worldwide.The anime industry is poised to become all the ungekürzt. Language: English. Narrator: William Cook. Audio sample: https://samples.audible.de/bk/acx0/220739/bk_acx0_220739_sample.mp3. Digital audiobook in aax.
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    Did you know that music streaming now accounts for more than 75 percent of revenue in the music industry? And that music artists were paid literally hundreds of millions of dollars in 2018 alone for having their music streamed? If you want to understand how to become part of this music streaming revolution, then read on!The music world has changed, and there’s no coming back. The absolute majority of people now prefer to stream their favorite music, and 94 percent use playlists for this purpose. In fact, playlists replaced the radio, and now every artist has a chance to become a newborn music star just from a successful placement in a top Spotify or Apple Music playlist. But what do you need to become “playlist” worthy? What music do you need to record? And, most importantly, how do you get on such playlists? In My Music - My Business: The Ultimate Guide to Building Income from Playlisting & Streaming I will explain exactly how to achieve success in this era of music streaming. After listening this audiobook you will be able to: Understand the business models of streaming services (Spotify, Apple Music, etc.) and decide which services you really need to focus on in your music businessFind out how to select the right digital distributor for your future music releasesUnderstand the power of different types of playlists and their roles in each streaming serviceLearn the success formula of a streaming era hit single and specifically: how to make your music “playlist” friendlyHow to correctly plan your music release and what marketing tactics to use/avoid usingWhich playlists you need to target and how to get playlist placements How to correctly track your campaignsFinally, we’ll talk about the future of music streaming and how it will likely affect your music releases! So, do not miss your chance to create a sustainable source of income from your music. ungekürzt. Language: English. Narrator: Michael Campobasso. Audio sample: https://samples.audible.de/bk/acx0/144706/bk_acx0_144706_sample.mp3. Digital audiobook in aax.
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    Despite his roughness on his employees and peers, he touted Apple's results, especially the fantastic innovations. Otherwise, he thought, if any of his employees felt brutalized under his leadership, they could have left at the time as he put it; but they didn’t. Apple beat square competitors with successful innovations like OS X Lion, iMac, iPod Nano, Apple Stores, iTunes Store, iPhone, App Store, iPad, MacBook, and iPod, among others. His loyal and committed employees saw the company grow beyond bounds while ill under the care of his loving family. He treasured innovations like Macintosh and iPad, including Apple as a company. Steve Jobs went through challenges that called for hard work and endurance to make great products. However, his avenues toward success were anchored on a number of pillars; by the time Steve Jobs was back at Apple in 1997, the company was launching peripherals and computers plus versions of Macintosh. He shocked many by advocating a stop with the version releases. In a meeting with his coworkers, Steve took a magic marker and drew on a whiteboard a two-by-two grid to which he connected the words, “consumer” and “pro” versus “desktop” and “portable”. This, he signaled to his team, was to focus on four great products in each quadrant by canceling innovations that were in the offing.  To the shocking suggestions, the company could later be saved by focusing on what is essential and relevant, just like real companies with real products do. While on retreats with his team, he would lecture them on whiteboards, his master platform, asking about what 10 things would Apple do next. While suggestions streamed in, Jobs would write them down, discarding the irrelevant ones until the best 10 would be picked, and then the last ultimate three as he would insist. As much as the company Zen training helped shape his personality, Jobs struggled to avoid distractions to the backing of his family and colleagues. ungekürzt. Language: English. Narrator: Neil Reeves. Audio sample: https://samples.audible.de/bk/acx0/140507/bk_acx0_140507_sample.mp3. Digital audiobook in aax.
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    Why We Can't Sleep meets Furiously Happy in this hilarious, heartfelt memoir about one woman's midlife obsession with Benedict Cumberbatch, and the liberating power of reclaiming our passions as we age, whatever they may be. Tabitha Carvan was a new mother, at home with two young children, when she fell in love (fascination? obsession?) with the actor Benedict Cumberbatch. You know the guy: strange name, alien face, made Sherlock so sexy that it became one of the most streamed shows in the world? The force of her fixation took everyone-especially Carvan herself-by surprise. But what she slowly realized was that her preoccupation was not about Benedict Cumberbatch at all, as dashing as he might be. It was about finally feeling passionate about something, anything, again at a point in her life when she had lost touch with her own identity and sense of self. In This is Not a Book About Benedict Cumberbatch, Carvan explores what happens to women's desires after we leave adolescence…and why the space in our lives for pure, unadulterated joy is squeezed ever smaller as we age. She takes us into the quirky underbelly of extreme fandom, from message-boards and meet-ups to real connections forged with other Cumberbatch devotees. But more importantly, she asks: what happens if we subvert the narrative that we have to leave these kinds of obsessions behind as we age, and simply decide to follow our interests like we used to-unabashedly, audaciously, shamelessly? After all, Carvan realizes, there's true, untapped power in finding your "thing" (even if that thing happens to be an alien-faced, British-born Marvel superhero) and loving it like your life depends on it.
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