46 Results for : cusk

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    FROM THE AWARD-WINNING AUTHOR OF INSIDE THE WAVE AND A SPELL OF WINTER Leningrad, September 1941. Hitler orders the German forces to surround the city at the start of the most dangerous, desperate winter in its history. For two pairs of lovers - Anna and Andrei, Anna's novelist father and banned actress Marina - the siege becomes a battle for survival. They will soon discover what it is like to be so hungry you boil shoe leather to make soup, so cold you burn furniture and books. But this is not just a struggle to exist, it is also a fight to keep the spark of hope alive . . . The Siege is a brilliantly imagined novel of war and the wounds it inflicts on ordinary people's lives, and a profoundly moving celebration of love, life and survival. *** 'Remarkable, affecting . . . there are few more interesting stories than this; and few writers who could have told it better' Rachel Cusk, Daily Telegraph 'Literary writing of the highest order set against a background if suffering so intimately reconstructed it is hard to believe that Dunmore was not there' Richard Overy, Sunday Telegraph 'Utterly convincing. A deeply moving account of two love stories in terrible circumstances. The story of their struggle to survive appears simple, as all great literature should . . . a world-class novel' Antony Beevor, The Times
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    "Von atemberaubender Intensität und Schönheit. Aus dem Staub ihres Lebens leuchtet dieses Werk." Elke Heidenreich, Spiegel Online"Ein Mädchen kann nicht Dichter" werden, hatte der Vater zu Tove gesagt. In "Jugend" zeichnet Tove Ditlevsen das Porträt einer jungen Frau, die ihren eigenen Weg geht - kraftvoll, wild, lebendig erzählt. Im Kopenhagen der 1930er stürzt sich Tove voller Energie ins Leben. Mit 14 Jahren verlässt sie die Schule, beginnt ohne weitere Ausbildung eine Reihe von kleinen Jobs anzunehmen, arbeitet als Dienstmädchen und Bürogehilfin, sie schlägt sich durch. Sie lernt Herrn Krogh, einen älteren wunderlichen Antiquar kennen, der ihr immer wieder Bücher leiht. Mit 17 zieht Tove bei den Eltern aus, geht tanzen und die Möglichkeit, ein eigenes Buch zu veröffentlichen, rückt in greifbare Nähe. Das Porträt einer jungen Frau, die furchtlos und entschieden ins Leben zieht."Eine Stimme, deren Kraft wie Dynamit ist." The Times Literary Supplement"Das Porträt einer Frau, die ihr Leben entschieden zu ihrem eigenen macht. Ein Leben, so frei und ungestüm, ich bin versunken in Tove Ditlevsens Büchern." Nina Hoss"Eine monumentale Autorin." Patti Smith"Großartig, von hypnotischer Qualität." The New York Times"Tove Ditlevsens Kopenhagen-Trilogie, so viel steht jetzt schon fest, ist eines der großen literarischen Ereignisse des Jahres." Süddeutsche Zeitung"Was Autorinnen wie Annie Ernaux, Rachel Cusk und Deborah Levy heute tun, hat Tove Ditlevsen schon vor über 50 Jahren getan. Autobiographisches Schreiben, vor dem man sich verneigen möchte. Endlich, endlich ist Ditlevsens Trilogie auf Deutsch zu lesen!" Emilia von Senger, She said
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    A New York Times Book Review Notable Book, A Life's Work: On Becoming a Mother is multi-award-winning author Rachel Cusk's honest memoir that captures the life-changing wonders of motherhood. Selected by the New York Times as one of the 50 Best Memoirs of the Past 50 YearsThe experience of motherhood is an experience in contradiction. It is commonplace and it is impossible to imagine. It is prosaic and it is mysterious. It is at once banal, bizarre, compelling, tedious, comic, and catastrophic. To become a mother is to become the chief actor in a drama of human existence to which no one turns up. It is the process by which an ordinary life is transformed unseen into a story of strange and powerful passions, of love and servitude, of confinement and compassion. In a book that is touching, hilarious, provocative, and profoundly insightful, novelist Rachel Cusk attempts to tell something of an old story set in a new era of sexual equality. Cusk's account of a year of modern motherhood becomes many stories: a farewell to freedom, sleep, and time; a lesson in humility and hard work; a journey to the roots of love; a meditation on madness and mortality; and most of all a sentimental education in babies, books, toddler groups, bad advice, crying, breastfeeding, and never being alone."Funny and smart and refreshingly akin to a war diary-sort of Apocalypse Baby Now...A Life's Work is wholly original and unabashedly true."-The New York Times Book Review
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    For readers of Rachel Cusk, Lisa Taddeo and the essays of Zadie Smith, Bear Woman is a beautifully wrought memoir from one of Sweden's bestselling authors, in which she examines motherhood and the female experience.'The deeply personal journey of a writer, surprising and illuminating, and for me, familiar in the most reassuring way as she loses herself in this compelling story' - Esther Freud, author of Hideous KinkyMarguerite de la Rocque didn't exist before her guardian abandoned her on a remote island.Abandoned, pregnant to a man she'd met on board one of the first ships sailing to settle what became Canada, Marguerite was forced to fight for her life against the treacherous wilderness of Nova Scotia, giving birth alone. When her guardian returned nearly two years later, her lover and her baby had died, but Marguerite had survived. Returning to France, her story was concealed so that her family's reputation might be protected.Centuries later, a woman with small children of her own begins writing what she believes to be a television script about the life of Marguerite de la Rocque and her incredible story of survival against the odds. As she delves deeper into the hidden history of Marguerite and her extraordinary story of persecution and survival, the woman begins to question her ability to tell this story, or that of any woman in history, and in so doing exposes a fundamental truth about what it is to be both a writer and mother.Combining historical text, autobiographical fiction and essay with the uncertainty of memory, Bear Woman is a deeply moving journey into what it means to be a woman, in a world in which men still hold power.
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    Realism seems to be everywhere, both as a trending critical term and as a revitalized aesthetic practice. This volume brings together for the first time three aspects that are pertinent for a proper understanding of realism: its 19th-century aesthetics committed to making reality into an object of serious art; the experiments with and against realism by 20th-century modernist, postmodernist, or magical realist writing; and the politics of realism, especially its ambitions to map the complex realities produced by global capitalism and climate catastrophe. This juxtaposition of aesthetics, experiments, and politics unsettles the entrenched opposition between realism and experimental literature that tends to ignore the fact that realism, by virtue of its commitment to a changing material and social world, cannot be but continuously experimenting.The innovative chapters of this book address some of the pressing questions of literary and cultural studies today, like the complex relation between historical materialism and new materialisms, between science and art, or the different aesthetic and political affordances of making systemic analyses against depicting the specificity of the local. Some of the chapters deal with classically realist authors, such as George Eliot, Émile Zola, and Joseph Conrad, to gauge the aesthetic radicalism of their diverse realist projects. Others investigate the experimental engagements with realism by authors such as B.S. Johnson, J.M. Coetzee, or Rachel Cusk. Yet others, analyze the politics of realism found in contemporary anglophone novels by writers like Chimamanda Ngozi Adichie, David Mitchell, or Rohinton Mistry. The readings assembled here are a testament to the diversity of literary realism(s) from the 19th, 20th, and 21st centuries, and to the ongoing controversies surrounding definitions and deployments of "realism."
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    • Price: 79.95 EUR excl. shipping
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    Realism seems to be everywhere, both as a trending critical term and as a revitalized aesthetic practice. This volume brings together for the first time three aspects that are pertinent for a proper understanding of realism: its 19th-century aesthetics committed to making reality into an object of serious art; the experiments with and against realism by 20th-century modernist, postmodernist, or magical realist writing; and the politics of realism, especially its ambitions to map the complex realities produced by global capitalism and climate catastrophe. This juxtaposition of aesthetics, experiments, and politics unsettles the entrenched opposition between realism and experimental literature that tends to ignore the fact that realism, by virtue of its commitment to a changing material and social world, cannot be but continuously experimenting.The innovative chapters of this book address some of the pressing questions of literary and cultural studies today, like the complex relation between historical materialism and new materialisms, between science and art, or the different aesthetic and political affordances of making systemic analyses against depicting the specificity of the local. Some of the chapters deal with classically realist authors, such as George Eliot, Émile Zola, and Joseph Conrad, to gauge the aesthetic radicalism of their diverse realist projects. Others investigate the experimental engagements with realism by authors such as B.S. Johnson, J.M. Coetzee, or Rachel Cusk. Yet others, analyze the politics of realism found in contemporary anglophone novels by writers like Chimamanda Ngozi Adichie, David Mitchell, or Rohinton Mistry. The readings assembled here are a testament to the diversity of literary realism(s) from the 19th, 20th, and 21st centuries, and to the ongoing controversies surrounding definitions and deployments of "realism."
    • Shop: buecher
    • Price: 79.95 EUR excl. shipping


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