49 Results for : eubanks
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People from Flint Michigan
People from Flint Michigan ab 26.49 € als Taschenbuch: Michael Moore Sandra Bernhard Mark Farner Tim Thomas Ted Bank Wade Mainer George Hoey Glen Rice Fredwreck Bob Eubanks Maurice E. Curts LaKisha Jones Chris Byrd Mark Ingram Jr. Jon Runyan Brian Rolston Bob Bell. Aus dem Bereich: Bücher, Taschenbücher, Geist & Wissen,- Shop: hugendubel
- Price: 26.49 EUR excl. shipping
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Around the Way Girls 10: The Around the Way Girls Series, Book 10 , Hörbuch, Digital, ungekürzt, 727min
Around the Way Girls 10, like its predecessors, is a fast-paced look at the lives of some street-smart women who think they know it all but are about to get the lessons of their lives. Sasha Eubanks lived the perfect life. Whatever she touched seemed to turn to gold, until she met and married Mario. He was a parent's worst nightmare and everything you wouldn't want a husband to be. Yet Sasha loved him, sacrificed for him, took care of him, and would do anything for him including going to jail. While she is doing hard time for Mario's crimes, he soon shows his wife that loyalty is just another word in the dictionary. Sasha has to get revenge if she wants to have any pride left, but can she overcome the mental hold Mario has on her? Family ain't no good; at least in Rissa Ford's world. Forced to live with her aunt and predator-in-disguise uncle, Rissa feels as if her life was cursed from birth. Fed up with being tortured, she exposes the truth and is cast out into the mean streets of Detroit. Doing whatever she needs to make due, Rissa and her "newfound family" devise a plan for the ultimate revenge on those who have brought her the most harm. Ajanay, Sheika, and London were born and raised in one of Richmond's most ruthless housing projects. Faced with horrific home lives, all three girls turn to the streets and each other for comfort. Ajanay concocts a plan for them to get money out of Amir, one of the biggest dope boys from a rival housing project. However, Amir is a stone-cold killer with a long criminal history, and Ajanay has put them in harm's way with no solid plan on how to escape. Will their love and loyalty for one another keep them together, or is it every woman for herself? ungekürzt. Language: English. Narrator: Stevie Washington, Ida Belle, Mea Wilkerson. Audio sample: https://samples.audible.de/bk/blak/011676/bk_blak_011676_sample.mp3. Digital audiobook in aax.- Shop: Audible
- Price: 9.95 EUR excl. shipping
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Die Abstammung der Cherokee-Indianer: Eine Spurensuche auf der Basis traditioneller Cherokee-Überlieferungen: Neue Ausgabe des Klassikers der Cherokee
“Als wir noch jenseits des Großen Wassers wohnten, gab es zwölf Stämme, die zu den Cherokee-Indianern gehörten ...“ So beginnt die traditionelle Geschichte des Stammes, die zum Fest des Großen Mondes, dem Neujahrsfest, rezitiert und den jungen Cherokee bei Zusammenkünften gelehrt wurde. Sie wurde von Cornsilk alias William Eubanks, einem Zeitungsschreiber im Indian Territory, 1896 aufgezeichnet, basierend auf der ursprünglichen Erzählung in der Sprache der Cherokee, wie sie George Sahkiyah „Soggy“ Sanders, ebenfalls Mitglied in der Keetoowah Society, der wenig Englisch sprach, ihm erzählte. Die kryptische und schwer auffindbare Geschichte ist jetzt wieder im Druck erhältlich und wurde von der Wiener Ethnologin Christine Pellech übersetzt. Es gibt keinen älteren oder authentischeren Text in der Autobiographie eines Volkes der amerikanischen Indianer. Mit einer Probe der Cherokee-Sprache von Brian Wilkes. Gelesen von Richard Heinrich, Sprecher, Schauspieler für Film/TV & Rundfunk (Puppy Studios, Maroldsweisach, Deutschland). Donald N. Panther-Yates besitzt ein Doktorat in klassischer Philologie der Universität von North Carolina zu Chapel Hill, wo er Mediävistik mit Schwerpunkt lateinische Paläographie studierte. Er lebt in Colorado. Christine Pellech Ethnologin, Kunsthistorikerin, und Sachbuchautorin. 1947 in Wien geboren, promovierte sie 1974 zum Doktor der Philosophie an der Universität Wien. Als ausgebildete Ethnologin beschäftigt sie sich seit über 30 Jahren mit der Odyssee und der Argonautika, um die berühmtesten Reisen der Antike anhand von wissenschaftlichen Vergleichsmaterial einer Lösung zuzuführen. Gleichzeitig unternimmt die Autorin auch den Versuch, den Kulturdiffusionismus durch die schriftlichen Überlieferungen der alten Epen nachzuweisen.- Shop: Audible
- Price: 4.95 EUR excl. shipping
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Guilty Until Proven Innocent
Guilty Until Proven Innocent - When A Woman Cries Rape The Life Story of Ronald Eubanks: ab 9.99 €- Shop: ebook.de
- Price: 9.99 EUR excl. shipping
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Amazir
Fabian Fiorini (piano), Magic Malik (flute), Nelson Veras (guitare), Robin Eubanks (trombone)- Shop: odax
- Price: 17.63 EUR excl. shipping
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Heart Throb-the Rockin' Sides Of Ric Cartey
ic Carteys großartige Rocker für RCA Victor, NRC und El Rico. Zu den Begleitmusikern zählen Jerry Reed, Ray Stevens und Jack Eubanks. Längst überfälliger Vinyl-Rückblick auf die Karriere von einem der frühesten Rocker aus Atlanta.- Shop: odax
- Price: 28.99 EUR excl. shipping
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Chateau Debris-Venus Has Seen Us
The debut album from Charlie Williams, a founding member and original guitarist with the Aquarium Rescue Unit featuring Col. Bruce Hampton. The Rescue Unit was a groundbreaking, genre shattering sound laboratory in the early 90s that produced such great players as Otiel Burbridge, (Allman Bros), Jimmy Herring,(Allman Bros, Jazz is Dead, and Phil Lesh), and Jeff Sipe,a.k.a. ApartmentQ-258,(Leftover Salmon). Other players colliding in that orbit were Rev. Mosier, (Blueground Undergrass), and Dr. Dan. Charlie wrote songs off ARU's two Capricorn releases including 'Gone Today,Here Tomorrow' and 'Davy Crockett', both of which also featured Chuck Leavell,(Eric Clapton,Rolling Stones),on keyboards. Both of these songs received international airplay and were performed regularly by Kevin Eubanks on the Tonight Show with Jay Leno. Playing with Col. Bruce warps your musical perspectives as demonstrated in the careers of ARU alumni. Consequently, the boundaries between styles become nihilistic concepts. As a result, this album reflects that tenure and embraces Charlie's influences in jazz, blues, funk, bluegrass, and swing. The players on the album include Jeff Sipe, members of Blueground Undergrass, the Fiji Mariners, and Dr. Dan. In addition to the Aquarium Rescue, Charlie is a founding member of the Zambiland Orchestra in Atlanta,and consequently has performed and recorded with most of the guest artists which have included members of Phish, Widespread Panic, String Cheese Incident, the Allman Brothers, Bela Fleck, Leftover Salmon, Sam Bush, Warren Haynes, Derek Trucks, Moe, Galactic, and most other current jam bands. Also he is a featured performer on the soon to be released Zambiland Live album, slated for release in the spring of 2001 on Terminus Records. Currently, Charlie teaches and performs in Atlanta, Georgia.- Shop: odax
- Price: 20.41 EUR excl. shipping
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View from the Edge
David Leonhardt bio -Career Highlights Twenty year with saxophonist David "Fathead" Newman: arranging and playing on four CDs, international tours. 1988-2008 Four year as musical director for jazz vocalist Jon Hendricks: international tours, jazz festivals, radio and TV broadcasts. 1983-1987 President and founder of Big Bang Records with eighteen CDs as a leader. 1993 to present. Fifteen years leading The David Leonhardt Jazz Group a concert ensemble with hundreds of performances: theaters, Universities, Colleges, festivals, arts organizations US, Canada and Europe. 1993-2008 Twelve years freelance experience in New York City. Broadway to the Today Show, jazz clubs to dance halls, Bar Mitzvahs and weddings to cabaret clubs and Lincoln Center, jingles to jazz records. 1980-1992 Twenty years performing with legendary Tap Dancers. Musical director for Manhattan Tap and The Shelley Oliver Tap Dancers including National and European tours, television and DVDs. 1987 to 2008 Decades of experiences as a jazz educator in universities, colleges, clinics and workshops. Ten years of presenting "Jazz For Kids" an interactive children's program. First jazz experience playing piano as a teenager with jazz educator Jamey Aebersold in concerts, clubs and school presentations in Louisville, KY. 1974-1980 First professional engagement at the age of 14 in a teenage rock band. First road experience with a southern rock band touring Dixie age 16. 1970-1976 David Leonhardt, jazz pianist and composer, is a highly skilled and versatile artist. His thirty seven years of professional experience has included recordings, T.V. and radio, concerts and festivals, night clubs and stage shows. He has appeared internationally throughout North and South America, Europe, the Middle and Far East with some of the biggest names in jazz. He leads his own concert ensemble The David Leonhardt Jazz Group and is the founder and president of Big Bang Records with fifteen CDs as a leader. Recently Mr. Leonhardt arranged and recorded a jazz CD with saxophonist David 'Fathead' Newman, and released the CDs 'I'll Be Home For Christmas' and 'In The Moment'. Mr. Leonhardt is on the roster of The Pennsylvania Arts On Tour and gives educational clinics worldwide. Performing and studying as a teenager in Louisville, Kentucky with noted educator Jamey Aebersold, Mr. Leonhardt acquired his skills backing such diverse jazz talents as Buddy Defranco, Dave Liebman, and Buddy Tate. After moving to New York City in his twenties Mr. Leonhardt established himself as an international performing artist when he toured for four years as musical director for jazz legend Jon Hendricks, accompanying vocalists such as Diane Reeves and Bobby McFarren. Joining The David 'Fathead' Newman Quintet he furthered his reputation as a burning jazz pianist and made his name familiar on the New York jazz scene. He went on to form his own band performing in the U.S., Japan, and Europe. In 1991 he founded Big Bang Records and released his first CD 'Departure' to great critical acclaim as well as his popular CD 'Reflections'. Mr. Leonhardt has produced, arranged, and performed on numerous recordings with jazz stars Stan Getz, Slide Hampton, Jon Hendricks, Eddie Henderson, Robin Eubanks, Ray Drummond, and Lewis Nash. His compositions have been recorded by such jazz greats as Stanley Turentine, David 'Fathead' Newman, Hank Crawford, and Claudio Roditi. He has written arrangements for The Art Blakey Big Band and been guest conductor and arranger for The Benny Carter Orchestra. At present Mr. Leonhardt is leading his own band with successful appearances at the International Arts Festival of Shenzen in China, the Winnipeg Jazz Festival, The French Maison de Dance in Lyon, as well festivals and concerts throughout the United States. His all star group has been heard at The Apollo Theater, The Blue Note, and Birdland. He is the musical director for The Shelley Oliver Tap Dancers a popular all female dance group. Vol. 32 No. 3 March 2006 David Leonhardt Interview Taken and Transcribed by Ludwig Van Trikt CADENCE: What was your early beginning like? DAVID LEONHARDT: My first professional job was at the age of 14 in Louisville, KY. I was playing organ in a teen rock and roll band and that job was for a basement make-out party for teenagers when the parents were out of town. I knew from that moment I wanted to be a professional musician. What could be better than being the center of attention to all my peers? Having the girls think I was cool didn't hurt either. Also, I sensed from the start that when the music is playing and the best is happening, the moment has been lifted out of the ordinary. Even then that feeling of being part of something larger than myself was powerful and profound. That band went on to be popular in central Kentucky and we did a lot of high school dances or roller rink dances where the kids would roller skate for two hours then dance for two hours. We were so young that we could not even drive so our moms would load us into their station wagons with all our amps and PA equipment, they would take us all over Kentucky. We played every weekend for a few years. In those days we called it "playing". Later when I started playing with older musicians for more money, we called it "working". Somehow, that change in wording made us feel more grown up. My first girlfriend was a teenage groupie who would follow us around from gig to gig and my next girlfriend was the singer in the band. That pretty much set the pattern for the next twenty years of my life as far as relationships went. That band won a big local battle of the bands and we were awarded a big expensive PA system that was our downfall. Once we had assets we started to argue over them and eventually broke up. After that I joined a southern rock band that copied Allman Brothers songs. I was 16 and the other guys were in their 20's and we were playing Blues bars and nightclubs, playing till the wee hours of the morning. They nicknamed me "The Kid" and I had to lie about my age to play in the clubs. I was the only one in the band that could read music. I would say that sex, drugs, and Rock and Roll was their mantra so it gave me a real education. Back then my audience was bikers and drinkers and people looking to hook up and get high. A real discerning crowd. I loved every minute of it and moved out of my parents house when I was 17. By then I was playing a Wurlitzer electric piano and a Hammond organ. After a year of that I joined a roadhouse country and western band that played six nights a week for a couple years at a country dance hall. The bar owner was the worst. He hated the musicians and made our life hell. But that was where I learned to belly up to the bar and order a drink. We were playing for middle age country dancers who would crowd the dance floor all night long. The music was loud and fun. By this time I had a four keyboard setup adding a clavinet and a fender Rhodes. We lost that gig and went to a real country dive where we played for alcoholics, losers and prostitutes. The smoke was so thick that my eyes would water all night and I finally quit the gig over that. CAD: You must be very familiar with the chitlin circuit, having played for ten years with David "Fathead" Newman? D.L.: When I first started playing Jazz I was 17 years old and knew nothing but had heard two Miles Davis records. One was A Tribute to Jack Johnson, which is a fusion record of rock vamps that knocked me out, and a compilation that included "Seven Steps To Heaven" and "Four". I dug that as well but had no frame of reference to understand about the different styles in Jazz. Luckily for me Jamey Aebersold lived near me and I started hanging out with him at his house and he would show me things on the piano. Jamey is the number one Jazz education/clinic thing so it was great for me to be around that. There were no pianists in town then who would jam with him so he taught me- Shop: odax
- Price: 20.43 EUR excl. shipping
