66 Results for : disused

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    Winner of the National Book Award when it was first published in 1964, Herzog traces five days in the life of a failed academic whose wife has recently left him for his best friend. Through the device of letter writing, Herzog movingly portrays both the internal life of its eponymous hero and the complexity of modern consciousness. Like the protagonists of most of Bellow's novels - Dangling Man, The Victim, Seize the Day, Henderson the Rain King, etc. - Herzog is a man seeking balance, trying to regain a foothold on his life. Thrown out of his ex-wife's house, he retreats to his abandoned home in Ludeyville, a remote village in the Berkshire mountains to which Herzog had previously moved his wife and friends. Here amid the dust and vermin of the disused house, Herzog begins scribbling letters to family, friends, lovers, colleagues, enemies, dead philosophers, ex- Presidents - anyone with whom he feels compelled to set the record straight. The letters, we learn, are never sent. They are a means to cure himself of the immense psychic strain of his failed second marriage, a method by which he can recognize truths that will free him to love others and to learn to abide with the knowledge of death. In order to do so he must confront the fact that he has been a bad husband, a loving but poor father, an ungrateful child, a distant brother, an egoist to friends, and an apathetic citizen. Herzog is primarily a novel of redemption. For all of its innovative techniques and brilliant comedy, it tells one of the oldest of stories. Like The Divine Comedy or the dark night of the soul of St. John of the Cross, it progresses from darkness to light, from ignorance to enlightenment. Today it is still considered one of the greatest literary expressions of postwar America. ungekürzt. Language: English. Narrator: Malcolm Hillgartner. Audio sample: https://samples.audible.de/bk/blak/003573/bk_blak_003573_sample.mp3. Digital audiobook in aax.
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    • Price: 9.95 EUR excl. shipping
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    *A moving, unforgettable story, inspired by true events*'Absolutely breathtaking' Christy Lefteri, Sunday Times bestselling author of The Beekeeper of Aleppo.We all have something to tell those we have lost . . .On a windy hill in Japan, in a garden overlooking the sea stands a disused phone box. For years, people have travelled to visit the phone box, to pick up the receiver and speak into the wind: to pass their messages to loved ones no longer with us.When Yui loses her mother and daughter in the tsunami, she is plunged into despair and wonders how she will ever carry on. One day she hears of the phone box, and decides to make her own pilgrimage there, to speak once more to the people she loved the most. But when you have lost everything, the right words can be the hardest thing to find . . .Then she meets Takeshi, a bereaved husband whose own daughter has stopped talking in the wake of their loss. What happens next will warm your heart, even when it feels as though it is breaking . . . The Phone Box at the Edge of the World is an unforgettable story of the depths of grief, the lightness of love and the human longing to keep the people who are no longer with us close to our hearts.'A moving and uplifting anatomisation of grief and the small miraculous moments that persuade people to start looking forward again' Sunday Times'Strangely beautiful, uplifting and memorable, it's a book to savour' Choice, Book of the Month'A poignant, atmospheric novel dealing with love, coming to terms with loss and the restoration of one's self' Daily Mail'A story about the dogged survival of hope when all else is lost . . . A striking haiku of the human heart' The Times'Beautiful. A message of hope for anyone who is lost, frightened or grieving' Clare Mackintosh, Sunday Times bestselling author of After the End'Incredibly moving. It will break your heart and soothe your soul' Stacey Halls, Sunday Times bestselling author of The Familiars'Mesmerising . . . beautiful . . . a joy to read' Joanna Glen, Costa shortlisted author of The Other Half of Augusta Hope'Spare and poetic, this beautiful book is both a small, quiet love story and a vast expansive meditation on grieving and loss' Heat'A perfect poignant read' Woman & Home
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    • Price: 8.99 EUR excl. shipping
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    (LP) Fear of Mans dunkles und sehr modernes Pop-Album wurde mit Tom Morris (Bloc Party, Outfit, Glass Animals und Woman's Hour) in London aufgenommen.2016 sees the return of Fear of Men with Fall Forever , an album that builds on the melodicism of their acclaimed debut album Loom and takes it in a bold and modern direction, pushing the limits of their instruments to take on new and alien forms. After extensively touring in support of their acclaimed debut album, Fear of Men decamped in the early months of 2015 to an outbuilding of a disused abattoir in rural Kent, England, to begin work on new material. A two hour bus ride from theirnative Brighton and a black hole for cell signal, such an environment was fitting for a band determined to strip their sound back to the bone and build it up to make an album that would, on their live return, make the stage shake. On Fall Forever Fear of Men twisted together sounds and influences from a variety of genres to create their own vision of a dark and modern pop record. Working with producer Tom Morris to gain clarity and presence, they focused on core sounds instead of layers, while still incorporating textures and details that can be discovered upon repeat listens. 'Fall Forever, co-produced by Tom Morris and Daniel Falvey, is out June 3, 2016 on Kanine Records TRACKS: 1. Vesta 2. Undine 3. Island 4. A Memory 5. Until You 6. Ruins 7. Trauma 8. Erase (Aubade) 9. Sane 10. Onsra
    • Shop: odax
    • Price: 21.48 EUR excl. shipping
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    Tresor prägte in 25 Jahren Techno und Berlin wie kein zweites Label. Zum Geburtstag spendiert das Label ein Loblied an 25 Jahre Kreativität &amp, psychedelische Musik. Mit Terrence Dixon, Juan Atkins &amp, Moritz von Oswald, TV Victor, Donato Dozzy, Jon Hassell, Marcelu u.v.a. This record marks the spirit of those 25 years of creativity, a paean to the psychedelic music of Dimitri's youth. From the signature magnetic soundscapes of Vainqueur to the dark textures of upcoming Beijing producer Shao, from Jon Hassell's slow epicurean volutes, to the ritual auras of Marcelus and Claudia Anderson's contributions, from the dub-infused pioneering programming of Juan Atkins and Moritz von Oswald, to Mønic's enthralling cadences, it represents some of the old and new names that continually epitomise Tresor's perennial spirit of ingenuity. "We were space pioneers," says Dimitri. When Tresor founder Dimitri Hegemann stumbled into a former bank vault in East Berlin on March 13th 1991, he had little idea that the space he had unlocked would fast become one of Berlin's most influential and enduring techno clubs. "We didn't know what would happen 10 months later," he says. "We signed a lease for a year. Which eventually got renewed for another three months, and another three months..." As Tresor celebrates its 25th anniversary with this work of artists from the US, Germany, China, France, Austria, Italy and the UK, it is worth dwelling on how the cultural conditions that birthed Detroit techno - economic neglect and broken industry - were mirrored by the disused bunkers and impromptu parties of post-unification East Berlin, where techno found new, vigorous expression. Today, though the boom and bust of globalised capitalism has filled the void that followed the Berlin Wall, and techno has become a worldwide industry, we face a new political chapter, one defined by populism, nationalism and mistrust. Contemporary creatives should take inspiration from Tresor's story, an extraordinary experiment born from improvisation, resourcefulness and social neglect that uplifted the spirits of inner city communities for a quarter-century. The East Berlin of 1991 may have disappeared to gentrification, with Tresor's lonely vanguard joined by an army of venues catering to an international array of clubbers benefiting from low cost travel, many of whom settle in the city for good. Berlin is Europe's economic engine, headquarters to global industry and sole traders alike, where Polish, Kurdish and English are as likely to be spoken as German. That range of influences is felt in all areas of life, not least in the city's music. "Without Tresor, Berlin would not be what it is today," concludes Dimitri. "Even though it sounds a bit pretentious, it is true. Tresor was the prototype for an extraordinary club. It was only possible as a combination of the right time, the right place, the right content and determined people." Excerpt of liner notes, by Rob Sharp - November 2016.
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    • Price: 13.57 EUR excl. shipping
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    Alternative Blueprint is a new U.K. label leaning towards the outer leftfield of electronica. This CD showcases our 4 artists - Minimal Pig, Automated Acoustics, Optikatechniqua & Amor Veneris, and gives a taste of things to come... We are committed to the freshest sounding electronic & acoustic music hybrids. We specialise in rare & unusual instruments, subtle synth programming & unique rhythms. Our artists are doing something different, and are hard to categorise, as all the best music is. Check them out individually for the full picture of the Alternative Blueprint sound. Profile of our current artists:. Minimal Pig: Deep electronica with a selection of weird instruments played live & the occasional vocal tune, always with fresh beats to spin your head round. Seriously high saturated Phat content, so those with a weak heart should get doctor's advice before listening. He concentrates on progressing his tunes, to make electronic music that's cerebrally appealing. Equally at home on the dancefloor or laid-out on the sofa. He is in his early 20's, from the middle of nowhere, he plays loads & loads of instruments, is a self confessed music technology & recording geek, and has made about a zillion tunes. He is constantly striving to create fresh sounds, e.g. complex routing arrangements, hanging loads of pan lids from his shed roof, taking a snare drum out & stomping on the floor for the bass drum, taking an old remote answerphone bleeper & short-circuiting it with knives & forks after soldering an amp with distortion onto it. Etc. Etc. Optikatechniqua: Originally from Barbados, with the hard dub influence in full effect, now living in the South-West UK, Optikatechniqua takes ragga, electro & jungle, breeds them together & then scares the crap out of the resulting sprog! This is dark, mutant, fast, heavy music that is genuinely unique. This stuff never fails to get the dancehall itching. True story - Optikatechniqua was playing a 4 hour set in a basement club underneath a certain branch of The Body Shop, he was playing with his own rig he'd brought in. The next day there was a complaint from the manager of the Body Shop, as the bass had knocked loads of bottles off the shelves & they'd had tons of stock smashed! Result! If you want to drop THE tunes that make the dancefloor go utterly mental, then Optikatechniqua is the way to do it. Automated Acoustics: Automated Acoustics is a bit of a departure from the usual Alternative Blueprint sound, but we loved it so much when we heard it that we had to grab him. He plays about 12 instruments, including some really obscure African ones, & records the some of the most beautifully poignant, unique music we've ever heard. He loves broken, old instruments with character. His Auto-harp has a nest of spider's webs inside the soundbox - any instrument that was once used as a home for some beast must have massive karma attached. His cello is priceless to him, but only cost £35 (it's that beaten up) but it means that he can do things to it that would give Yo Yo Ma nightmares & need counselling. When I was playing it around to test the waters, 5 people independently said 'sounds like Voodoo',and they were right - it is positive voodoo. Mainly instrumental, but sometimes with Intelligent lyrics, sung with the deepest voice you've heard in a long time, jazzy brush stick drums, cello, autoharp, Mbira, organ, piano, guitar, subtle synthesizers & home-made percussion complete the unique sound. Amor Veneris: Amor Veneris is apparently Latin for the Vagina. This sums up the sound nicely - warm, delicate but powerful with an unexplainable beauty that surrounds you & leaves you wanting more. A lush blend of dripping electronica, saucy live instruments, blistering beats & natural sounds recorded on location. E.G. Amor Veneris once carried an entire drum kit & mobile recording unit down a slippery railway embankment in the middle of winter & (allegedly) broke into a disused British Rail tunnel to record subterranean drums & vocal sounds. He has also done a tune composed mainly of the varied sounds of snow, and another one using only sounds from his favourite woods ( including the animals, of course). We are actively discouraging psychiatric assessment.
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    • Price: 19.90 EUR excl. shipping
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    LTM is proud to present a new CD edition of a celebrated live performance of The Sinking of the Titanic by acclaimed modern British composer Gavin Bryars. Originally released on Les Disques du Crepuscule, this extended 60 minute performance of Bryars' haunting masterpiece was recorded by the Gavin Bryars Ensemble at the French festival Le Printemps de Bourges in April 1990. The performance location was the Chateau D'Eau, a disused water tower on three storeys, in an environment conceived by L'Ac
    • Shop: odax
    • Price: 15.93 EUR excl. shipping


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