65 Results for : nakajima

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    Asano was invited as a composer to Mittersill Composers Forum in Austria in 2004 Fall. During the forum he wrote a Violin and Viola Duo Piece *"No.1 Hollersbach" as he was inspired by Austrian Ensemble "Die Reihe"'s violinist Willem de Swardt and violist Ursula Kortschak. That was the origin of these suites. In 2005 April-May, he continued to compose No.2-No.7 as he was inspired by the beautiful sound by Kumi Nakajima, and a rich performance of Masashi Sasaki. *Hollersbach is a next town of Mittersill in Salzburg. Kumi Nakajima, Violin: She started playing the violin at the age of 4. She won the 2nd prize in the National High School Music Competition in 1986. She graduated from the high school attached to the National University of Fine Art and Music, and the University. She majored the viola in the chamber music class, and was charmed by that instrument. She studied more at the graduate school. She won the 2nd prize in the 5th Japan Chamber Music Competition. After completing her master's degree, she worked as an assistant player at the Toho Music College for 5 years. She studied with Jurgen Kussmaul in Amsterdam for one and half years from May 2001, and played with Anner Bylsma at a concert of Encontros de Musica da Casa de Mateus in Portugal in 2002. She studied dance and theater improvisation applying voice, movements and experiential anatomy, with Patricia Bardi, and composed some music for dance pieces and widened her activities. After returning to Japan, her activities have expanded still more. Now, she plays from baroque to contemporary music and improvisation with 4 instruments (both baroque and modern violin and viola). She started a self-produced concert series "Futakoedori (Bird with two voices) no concert" from 2004. In this concert series, she plays both the violin and the viola, collaborating with various instruments. It is well received by audiences. Masashi Sasaki, Viola: He graduated the National University of Fine Art and Music in 1993, and was a lecturer of orchestra researches in the university during 1993-1999, also had performed as a guest soloist with many domestic orchestras. In 1998, He performed solo recital organized by Hikoneshi Cultural Plaza. He studied more in Hamburg in 1999 and on returning to Japan, he assumed principal viola of the Sendai Philharmonic Orchestra. In 2002, he performed Duo-recital with a Pianist, Takayuki Kuniya in Tokyo and Sendai. In 2003-2004, he received a grant from Matsuo Foundation as a member of Sereno Quartet. He won "Green Wind Prize" at Haramura Musical Seminar. Now He performs as a principal violist of Bach Society Orchestra, Sendai Philharmonic Orchestra and Sereno Quartet. He studied Viola with Sagako Kusanagi, Fumiki Asazuma, Hideki Koguni, Kazunori Kawasaki, Hirofumi Fukai and ensemble with Kiyoshi Okayama.
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    IN 1954, AN ENORMOUS BEAST CLAWED ITS WAY OUT OF THE SEA, destroying everything in its path—and changing movies forever. The arresting original Godzilla soon gave rise to an entire monster movie genre (kaiju eiga), but the King of the Monsters continued to reign supreme: in fourteen fiercely entertaining sequels over the next two decades, Godzilla defended its throne against a host of other formidable creatures, transforming from a terrifying symbol of nuclear annihilation into a benevolent (if still belligerent) Earth protector. Collected here for the first time are all fifteen Godzilla films of Japan’s Showa era, in a landmark set showcasing the technical wizardry, fantastical storytelling, and indomitable international appeal that established the most iconic giant monster the cinema has ever seen.BONUS FEATURES EIGHT-BLU-RAY SPECIAL EDITION COLLECTOR’S SET FEATURES- High-definition digital transfers of all fifteen Godzilla films made between 1954 and 1975, released together for the first time, with uncompressed monaural soundtracks - High-definition digital transfers of Godzilla, King of the Monsters, the 1956 U.S.-release version of Godzilla, and the 1962 Japanese-release version of King Kong vs. Godzilla - Audio commentaries from 2011 on Godzilla and Godzilla, King of the Monsters featuring film historian David Kalat - International English-language dub tracks for Invasion of Astro-Monster, Son of Godzilla, Destroy All Monsters, Godzilla vs. Megalon, Godzilla vs. Mechagodzilla, and Terror of Mechagodzilla - Directors Guild of Japan interview with director Ishiro Honda, conducted by director Yoshimitsu Banno in 1990 - Programs detailing the creation of Godzilla’s special effects and unused effects sequences from Toho releases including Destroy All Monsters - New interview with filmmaker Alex Cox about his admiration for the Showa-era Godzilla films - New and archival interviews with cast and crew members, including directors Bin Furuya, Tsugutoshi Komada, Haruo Nakajima, and Akira Takarada, composer Akira Ifukube, and effects technicians Yoshio Irie and Eizo Kaimai - Interview with critic Tadao Sato from 2011 - Illustrated audio essay from 2011 about the real-life tragedy that inspired Godzilla - New English subtitle translations - TrailersPLUS: A lavishly illustrated deluxe hardcover book featuring an essay by cinema historian Steve Ryfle, notes on the films by cinema historian Ed Godziszewski, and new illustrations by Arthur Adams, Sophie Campbell, Becky Cloonan, Jorge Coelho, Geof Darrow, Simon Gane, Robert Goodin, Benjamin Marra, Monarobot, Takashi Okazaki, Angela Rizza, Yuko Shimizu, Bill Sienkiewicz, Katsuya Terada, Ronald Wimberly and Chris Wisnia
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    Akiko Nakajima (Sopr), Niels Muus (Pno)
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    Die Arizona wurde am 7. Dezember 1941 beim japanischen Angriff auf Pearl Harbor von Nakajima-B5N-Bombern versenkt und zum Symbol der amerikanischen Demütigung. Maßstab 1/426. 133 Teile. 43,2 cm Länge. Ab 12 Jahren.Am Morgen des 7. Dezember 1941 war in Pearl Habor alles ruhig und die Sonne schien. Die Arizona war gerade von Flottenmanövern zurückgekehrt und in einer Reihe mit den anderen Schlachtschiffen entlang der Küste von Ford Island befestigt worden. Der größte Teil der Besatzung befand sich gerade beim Frühstück. Kanonenfeuer und Bombenlärm durchbrachen die Stille, und als die Matrosen an Deck eilten, bemerkten sie, dass sich ihr Schiff unter Beschuss befand. In einem furchtbar schrecklichen Moment wurde die Arizona an der Backbordseite von einem Torpedo, "mittschiffs" von einer großen Bombe und am Vorderdeck von einer panzerbrechenden Bombe getroffen. 1.100 Seemänner verloren ihr Leben. Um den Männern der Arizona zu gedenken, wurde über dem Schiff eine einfache Gedenktafel angebracht und ein Flaggenmast errichtet. - Zwölf erhöht angebrachte, ca. 36 cm Kanonen in vier drehbaren Geschütztürmen - Komplette Leichtbewaffnung: mit 13 cm und 3 cm AA-Waffen und 27 cm Geschützturmkanone - Fein gestaltete Beplankungs- und Plattendetails - Komplette Deckeinrichtung: darunter Suchscheinwerfer, Motorbarkassen und Walboote, Entfernungsmesser, Leitern, Kräne und Dreibeinmasten mit Krähennestern - Zwei Katapulte mit 0 2U Doppeldeckern von Vought - Abziehbilder für das Schiff und die Wasserflugzeuge - Komplett farbiges Flaggentuch - Präsentationsständer - Detailgetreue Aufbauten
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