82 Results for : progres
-
Adaptation aux changements climatiques en zones cotieres
Adaptation aux changements climatiques en zones cotieres - Politiques publiques et indicateurs de suivi des progres dans sept pays occidentaux: ab 42.49 €- Shop: ebook.de
- Price: 42.49 EUR excl. shipping
-
Inventeurs et createurs francs-macons
Inventeurs et createurs francs-macons - Ils ont contribue au progres de l'humanite: ab 23.49 €- Shop: ebook.de
- Price: 23.49 EUR excl. shipping
-
Richesse des nations et bien-etre des individus.
Richesse des nations et bien-etre des individus. - Performances economiques et progres social: ab 22.49 €- Shop: ebook.de
- Price: 22.49 EUR excl. shipping
-
Vers de nouveaux systemes de mesure
Vers de nouveaux systemes de mesure - Performances economiques et progres social: ab 22.49 €- Shop: ebook.de
- Price: 22.49 EUR excl. shipping
-
Diversite culturelle et progres humain
Diversite culturelle et progres humain: ab 22.49 €- Shop: ebook.de
- Price: 22.49 EUR excl. shipping
-
Ring of Eternity
No, GERARD is not only a French-flavoured first name ! It's also the name chosen by the Japanese keyboards wizard Toshio EGAWA (NOVELA, SHEHERAZADE, EARTHSHAKER...), at the time he created his own band at the beginning of the Eighties. The beginnings of the band were marked by an elegant and elaborated symphonic music relying on the Progressive rock played by YES, GENESIS and friends during the previous decade. Issued in 1983, the eponymous album was the leader of the remarkable Japanese Progres- Shop: odax
- Price: 20.31 EUR excl. shipping
-
-
Infinity - Gregorian in Progress
Dino Mariani Dino Mariani was born in Molise - Italy (1954). In 1965 he moved to Milan with his family. Since 1972 he studied at G.Verdi Conservatory where he graduated in Basson and Composition. He studied orchestral conducting at the 'Civica Scuola di Musica' of Milan. At the same time, once he finished the Scientific High Scool, he attended two years of Law Faculty which leaved to devote himself entirely to the musical studies. In the Seventies he lived the most varied musical experiences. He easily alternated between the academic studies, performances in 'classical' areas as soloist, in orchestra or chamber groups and perfomances in the various Pop and Jazz Festival of that time, both as a guitarist and as bassoonist, bringing for the first time this instrument out of the 'classical' ambit. He recorded several discs for many artists of Milan in that time. From 1978 to 1980 he played in the 'International Folk Group' of Moni Ovadia for whom, along with the inseparable friend oboist Mario Arcari, wrote most of musics recorded in 'Il nonno di Jonni' and 'Ensemble Havadi‡'.He played in the disc 'Le mille e una notte' for the homonymous show of 'Teatro dell'Elfo'.. With GFI accomplished several tours in Italy and Europe. At the same time he founded the DOM Democratic Orchestra Milano, big formation in which live together 'classical' musicians and 'young jazz musicians' still representative on the national scene,and not just, of the home-made jazz. He wrote for the DOM several pieces which for their characther of synthesis between classical and jazz, gained considerable interest of public and critics.. He conducted the same in important festivals in Italy and Europe, playing in first performance pieces written specifically for it by Enrico Rava, Antony Braxton, Alex Schlippenbach, Leroy Jenkins, Oliver Lake, etc. He finished this experience in 1984 recording the disc 'Invenzioni'. Since 1985 he devoted himself entirely to the composition. He studied with Sciarrino, Ferneyhaugh, Grisey, Rotondi, and Zosi Donatoni, deepening the knowledge of the most advanced techniques of composition and instrumental. He was awarded in many international contests of Composition from jury like Berio, Abbado, Petrassi, Huber, Pousseur, Morricone, Chailly, Ferneyhaugh, Donatoni, Sciarrino, Clementi ecc. And his music was performed in prestigious contexts both in Italy and abroad. To the increasingly introspective and isolated activity of Composer, he put side by side, from 1988 to till today, the teaching as a professor of Composition at different italians Conservatories. He lives, since some years, in Amalfitan Coast..Last work: 'INFINITY' has been conceived in the last months of 2006.As ripe rediscovery of 'simple', the return to primordial emotions. The enjoyment in returning to play different instruments: flutes, bassoon, sitar, keyboards, acoustic guitar, the old dear Fender Stratocaster. Inspiring source, 9 Gregorian Chants, as the orders of the angelic hosts grouped into three angelic choirs, sometimes freely transcribed, other philologically made mensurable. The 'Voice of the Soul' for excellence which alternates, merges with jazz and blues singing, in rhythmic contexts with progressive rock flavour, or pure melodic contexts in search of emotions. Dino Mariani - Musices Officina INFINITY - Gregorian in Progress Classical? Jazz? Blues? Rock? Pop? ...'the Voice of the Soul' meets the today's music... 'A pleasant surprise the work by Dino Mariani who seems to have found a finally convincing way in search for a music unrelated and independent from genres, as evidenced also from the structure of the group, with the most varied instruments whose mixture leads to original and new solutions.' La Repubblica 'The music of Dino Mariani, conductor, composer, polyinstrumentalist and gray eminence requires an uncommon culture and capacity for synthesis.' Il Giornale '...They amazed, surprised, innovated.' Jazz Magazine '...original music influenced by all the sound developments of the last years ... ' Progres '...on a collective basis of very beautiful orchestration, it gave very strong musical emotions. Here is a music to discover urgently.' Dino Mariani Nel 1954 nasce in Molise. Nel 1965 si trasferisce con la famiglia a Milano. Dal 1972 studia al Conservatorio G. Verdi dove si diplomerà in Fagotto e Composizione. Studia Direzione d'orchestra presso la Civica Scuola di Musica di Milano. Contemporaneamente, terminato il Liceo Scientifico, frequenta due anni la facoltà di Giurisprudenza che abbandona per dedicarsi totalmente agli studi musicali. Negli anni settanta vive intensamente le più svariate esperienze musicali. Alterna con disinvoltura gli studi accademici e le esibizioni in ambiti 'classici' come solista, in orchestra o gruppi da camera, alle esibizioni nei vari Festival Pop e Jazz dell'epoca, sia come chitarrista che come fagottista, portando tale strumento per la prima volta fuori dall'ambito 'classico'. Registra svariati dischi per molti artisti dell'area milanese dell'epoca. Dal 1978 al 1980 suona col Gruppo Folk Internazionale di Moni Ovadia per il quale, insieme all'allora inseparabile amico oboista Mario Arcari, scrive buona parte delle musiche incise in 'Il nonno di Jonni' e 'Ensemble Havadià'. Suona nel disco 'Le mille e una notte' per l'omonimo spettacolo del Teatro dell'Elfo.. Col GFI compie numerose tournées in Italia ed Europa. Contemporaneamente fonda la DOM Democratic Orchestra Milano, grossa formazione che vede convivere musicisti 'classici' e 'giovani jazzisti' tuttora rappresentativi sulla scena nazionale, e non solo, del jazz nostrano. Per la DOM scrive diversi brani che per il loro carattere di sintesi tra classico e jazz, riscuotono notevole interesse di pubblico e di critica.. Dirige la stessa in importanti festival in Italia e in Francia, suonando in prima esecuzione brani scritti appositamente per essa da Enrico Rava, Antony Braxton, Alex Schlippenbach, Leroy Jenkins, Oliver Lake, ecc. Termina tale esperienza nel 1984 incidendo il disco 'Invenzioni'. Dal 1985 si dedica totalmente alla Composizione. Studia con Sciarrino, Ferneyhaugh, Grisey, Rotondi, Zosi e Donatoni, approfondendo la conoscenza delle più avanzate tecniche compositive e strumentali. Viene premiato in numerosi Concorsi internazionali di Composizione da giurati come Berio, Abbado, Petrassi, Huber, Pousseur, Morricone, Chailly, Ferneyhaugh, Donatoni, Sciarrino, Clementi ecc. E le sue musiche sono eseguite in prestigiosi contesti sia in Italia che all'estero. Alla sempre più introspettiva e isolata attività di Compositore, affianca, dal 1988 a tutt'oggi, l' attività didattica,come docente di Composizione, presso diversi Conservatori italiani. Vive, da alcuni anni, in Costiera Amalfitana.. Ultima opera: ' INFINITY' viene concepito negli ultimi mesi del 2006. Come matura riscoperta del 'semplice', del ritorno alle emozioni primordiali. Il piacere nel tornare a suonare diversi strumenti: flauti, fagotto, sitar, tastiere, chitarra acustica, la cara vecchia Fender Stratocaster... Fonte ispiratrice, 9 Canti Gregoriani, come gli ordini delle schiere angeliche raggruppati in tre cori angelici, trascritti a volte liberamente, altre filologicamente mensuralizzati. Il 'Canto dell'Anima' per eccellenza che si alterna, si fonde col canto jazz, blues, in contesti ritmici dal sapore rock progressivo, o in puri contesti melodici in cerca di emozioni. INFINITY Gregorian in Progresss Dino Mariani - Musices Officina Classica? Jazz? Blues? Rock? Pop? ...il Canto dell'Anima incontra la musica d'oggi... Una piacevole sorpresa il lavoro di Dino Mariani che sembra aver imboccato una strada finalmente convincente nella ricerca di una musica slegata e indipendente dai generi, come testimonia anche la struttura del gruppo, con i più vari strumenti il cui impasto porta a soluzioni originali e inedite. La Repubblica La musica di Dino Mariani, direttore, compositore, pluristrumentista ed eminenza grigia presuppone- Shop: odax
- Price: 28.86 EUR excl. shipping
-
Piano Recital-Brian Schembri
Probably one of the most brilliant musicians to emerge from Malta, Brian SCHEMBRI started his music studies under the guidance of his father Carmelo SCHEMBRI, very early establishing himself as a highly talented concert pianist. His frequent recital performances on television, radio and in most of Malta's public concert halls rapidly gained him a remarkably popular reputation. He then travelled to the ex-USSR where he studied piano with Alexander SNEGIRIOV and Sergei DORENSKY and conducting with Roman KOFMAN and Gennady ROZHDESTVENSKY at the Kiev and Moscow 'Tchaikowsky' State Conservatories. Since then Schembri has worked as conductor with the Theatre du Capitole and with the Orchestra National du Capitole in Toulouse, l'Orchestre National de Lyon, Permanent Conductor with the OPF in Paris, Principal Conductor with the Orquestra Metropolitana Lisboa as well as lecturer in music at the University of Malta. He has conducted orchestras such as the State Philharmonic Orchestra of Ukraine, l'Orchestra Sinfonica di San Remo, l'Orchestre Symphonique et Lyrique de Nancy, the Malta National Orchestra, l'Orchestre de Bretagne, l'Orchestra Ciutat de Barcelona, the Philharmonic Orchestra of Odessa, the Moscow Soloists, Orquestra Academica Metropolitana, l' Orchestra Filarmonica Marchigiana, the Chamber Orchestra of Geneva, Sofia National Opera Orchestra and the London Philharmonic Orchestra. Apart from giving piano recitals in Malta, Italy, France, Ukraine, Switzerland, Russia and Great Britain, he has performed at the 'Festival Massenet', 'Kiev Symphonic Evenings', 'Octobre en Normandie', 'Les Rencontres Musicales d'Evian', "Festa da Musica", "Lisboa em Festa", "Festival MusicAtlantico", "Festival de Piano Vendôme", "Henley Festival". He has also conducted opera productions at the Rennes and Nancy Opera Theatres and the internationally televised G7 Summit Concert in Lyon. Brian Schembri has composed music for theatre productions at the Manoel Theatre and Teatru Strada Stretta in Malta and the Comédie Française in Paris and has recently recorded Charles Camilleri's new Symphony nr 1 and Kosmos with the the Royal Scottish National Symphony Orchestra. Press comments : These sparkling performances from Brian Schembri and the excellent Bournemouth Symphony Orchestra could not be more stylish or persuasively spontaneous, and the vividly atmospheric recording is first rate. (Gramophone Magazine) A pianist of high calibre. (The Times, UK) ...without the least fault in taste, there was passion and lyrical emotion. (Est Republicain, France) ...very well equipped, both technically and emotionally... (The Daily Telegraph, UK) ...he tackles the work with character and breadth...giving it delicacy and sensibility. (Ouest France) ...a pianist in the grand manner...daringly unfamiliar interpretative forays kept always within the limits of good taste.... (The Times, Malta) ...aristocratic, vibrant, elegant gestures, clearly designing the music, without dryness or heaviness... (Lyon Figaro, France) As soon as the curtain rises we are sure of success with Brian Schembri's clear and secure conducting. (Opera International) ...conducting...a strong, generous and broad vision, as lyrical as one could imagine, without excess...a completely convincing and magnificent sound. (Paris Normandie, France) Everything sounds as if it has been meticulously prepared, but the control is never paralysing and the final impression is of focused vitality....he infused the interpretation with unbelievable warmth. (The Sunday Times, Malta) Brian Schembri with his nervous baton, his guiding gestures full of complicity and warmth, deserves a general bravo all for himself..." (La Tribune Le Progres, France) The reading was intelligent, musical and it did justice to this masterpiece (Shostakovich Symphony nr 14)...it was a great interpretation...a great symphonic concert...clearly the best concert of the season and the best event of all the Portuguese lyrical season. (Crítica de Música - Álvaro Sílvio Teixeira)- Shop: odax
- Price: 25.46 EUR excl. shipping
-
