90 Results for : exaggeration
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The Imaginary of Exaggeration
The Imaginary of Exaggeration: ab 3.99 €- Shop: ebook.de
- Price: 3.99 EUR excl. shipping
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Slight Exaggeration
Slight Exaggeration - An Essay: ab 9.99 €- Shop: ebook.de
- Price: 9.99 EUR excl. shipping
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Extreme Environment
Extreme Environment - How environmental exaggeration harms emerging economies: ab 9.99 €- Shop: ebook.de
- Price: 9.99 EUR excl. shipping
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Hyperbole in English
Hyperbole in English - A Corpus-based Study of Exaggeration: ab 28.99 €- Shop: ebook.de
- Price: 28.99 EUR excl. shipping
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Klavierkonzerte 21 & 24
"Howard Shelley gives delightfully fresh and characterful readings of both concertos, bringing out their strength and purposefulness as well as their poetry, never overblown or sentimental... an outstanding digital bargain" (Penguin Guide3 stars) "This is a real bargain....orchestral phrases are well moulded in tone...ensemble is admirable, and textures well integrated....all the drama without ever falling into the trap of exaggeration" (Gramophone)- Shop: odax
- Price: 12.38 EUR excl. shipping
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Sinfonien 1 & 3
Gennadi Rozhdestvensky (Dir) // (Sym.1) "... a good performance, with a strong feeling of chamber music to it and a remarkable attention to (occasionally exaggeration of) the quieter dynamic markings" (Sym.3) "... a much-better-recorded account of the Third Symphony, is brilliantly played and very vividly characterized." (Gramophone)- Shop: odax
- Price: 13.45 EUR excl. shipping
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Mass For Double Choir/messa Di Requiem
James O'Donnell (Dir) // 'One of the greatest a cappella works written this century', so writes Gramophone's Marc Rochester in the sleeve note to this recording, and this is no exaggeration. Written in 1922, with a devastatingly effective Agnus Dei being added in 1926, Frank Martin's Mass for double choir is a truly wonderful work, combining intensely personal moments of religious contemplation with outbursts of overwhelming glory.- Shop: odax
- Price: 16.26 EUR excl. shipping
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Traditional Glees & Madrigals
Philip Ledger (Dir) // "No trace of exaggeration here and the sense of fun is well calculated to tickle the audience, not just the singers. Such an expert group might be tempted to play it too cool, but they are in the capable hands of Mark Brown who ...makes sure that points are not missed. ... Excellent results." - Gramophone- Shop: odax
- Price: 12.30 EUR excl. shipping
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Coast Road
A musician, teacher and promoter, it would be no exaggeration to say that Karen Ryan lives and breathes traditional Irish music. Born in London to Galway and Mayo parents, it was a strong Connemara tradition of melodeon players and traditional singers on her mother's side that initially fired her love of the music. Karen started playing music at the age of nine, taught by the North Leitrim musician Tommy Maguire at the London Irish Centre, where she herself now teaches. It was here that she met lifelong friends and fellow fiddle players, Elaine Conwell and Teresa Connolly (née Heanue), with whom she won the under 12 Trio competition at the All-Ireland Fleadh in 1985. 'That a London style of traditional Irish music has evolved from the 1960s to the present day, is generally accepted worldwide. The product of great immigrant musicians from all parts of Ireland getting together. Goodwill and good will music being foremost at the London sessions. Listening to Karen's recording of 'The Coast Road' deos great justice to these musicians past and present. Sweet and neat would not be a sufficient description of this no leass than great recording. Musical sincerity and a yearning for the fifth dimension comes to mind. Well done, Karen and Pete and guests.' - Danny Meehan, musician. Karen was fortunate to hone her musical skills through playing with a vast array of musicians in the vibrant London Irish session scene and during frequent visits to musical gatherings in Ireland and the US. Whilst gleaning much from all these players she cites Brian Rooney, Brendan McGlinchey, Danny Meehan and the recordings of Andy McGann as having the most influence on her fiddle playing. 'Karen Ryan is one of our great musicians here in London. Lucky for me, I've known her since she was a little girl playing whistle and bangjo but as she got older she favored the fiddle which she plays in her very popular band, The London Lasses. Karen plays with fluency, great control and beautiful tone, listening to her playing reminds me of when me and my siblings were young - we used to play football but when we got tired we used to sit by the stream which ran at the back of the house and listen to the water flowing. I think that's the best way to describe her beautiful, flowing music.' - Brian Rooney, musician. As a founder member of the renowned traditional Irish six-piece, The London Lasses and Pete Quinn, Karen has performed at some of the world's most prestigious festivals and concert halls, including the Royal Albert Hall, where the band performed the first ever BBC Proms céilí in 2008. The band have recorded four albums to date. 'This is a lovely CD from Karen displaying her numerous skills on a variety of instruments. She has a personal style with strong, rhythmical, expressive tones. Karen is one of the legacy of the great immigrant musicians of the 1950s and 1960s to England. She also carries on the teaching tradition of Tommy Maguire and Breandan Mulkere. Hundreds of young people have benefited from her teaching skills, taking part successfully in Fleadh Britain and Fleadh Cheoil na hÉireann. Irish traditional music is safe in her hands.' - Brendan McGlinchey, musician. Whether as a teacher with Meitheal Cheoil in north London, a workshop leader or an adjudicator both in the UK and overseas, Karen continues to pass on the tradition to both young and old.- Shop: odax
- Price: 15.48 EUR excl. shipping
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