15 Results for : bioart

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    Erscheinungsdatum: 05.12.2011, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: The Living Art, Titelzusatz: Introduction to BioArt, Redaktion: Thomson-Smith, Lydia D., Verlag: FastBook Publishing, Sprache: Englisch, Rubrik: Kunst // Sonstiges, Seiten: 108, Informationen: Paperback, Gewicht: 187 gr, Verkäufer: averdo
    • Shop: averdo
    • Price: 35.59 EUR excl. shipping
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    BioArt ab 15.99 € als Taschenbuch: . Aus dem Bereich: Bücher, English, International, Englische Taschenbücher,
    • Shop: hugendubel
    • Price: 15.99 EUR excl. shipping
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    Bioart Kitchen ab 28.99 € als pdf eBook: Art Feminism and Technoscience. Aus dem Bereich: eBooks, Belletristik, Erzählungen,
    • Shop: hugendubel
    • Price: 28.99 EUR excl. shipping
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    Bioart Kitchen ab 28.49 € als epub eBook: Art Feminism and Technoscience. 1. Auflage. Aus dem Bereich: eBooks, Fachthemen & Wissenschaft, Sozialwissenschaften,
    • Shop: hugendubel
    • Price: 28.49 EUR excl. shipping
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    Bioart and the Vitality of Media ab 29.49 € als pdf eBook: . Aus dem Bereich: eBooks,
    • Shop: hugendubel
    • Price: 29.49 EUR excl. shipping
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    No description.
    • Shop: buecher
    • Price: 36.99 EUR excl. shipping
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    Entstehungs- und Darstellungsmodi von Wissen in der Synthetischen Biologie ab 44.99 € als Taschenbuch: Neue Perspektiven und epistemische Impulse am Beispiel der BioArt. 1. Auflage. Aus dem Bereich: Bücher, Wissenschaft, Biologie,
    • Shop: hugendubel
    • Price: 44.99 EUR excl. shipping
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    Entstehungs- und Darstellungsmodi von Wissen in der Synthetischen Biologie ab 34.99 € als epub eBook: Neue Perspektiven und epistemische Impulse am Beispiel der BioArt. 1. Auflage. Aus dem Bereich: eBooks, Fachthemen & Wissenschaft, Wissenschaften allgemein,
    • Shop: hugendubel
    • Price: 34.99 EUR excl. shipping
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    How the tools of STS can be used to understand art and science and the practices of these knowledge-making communities. In Art, Science, and the Politics of Knowledge, Hannah Star Rogers suggests that art and science are not as different from each other as we might assume. She shows how the tools of science and technology studies (STS) can be applied to artistic practice, offering new ways of thinking about people and objects that have largely fallen outside the scope of STS research. Arguing that the categories of art and science are labels with specific powers to order social worlds-and that art and science are best understood as networks that produce knowledge-Rogers shows, through a series of cases, the similarities and overlapping practices of these knowledge communities. The cases, which range from nineteenth-century artisans to contemporary bioartists, illustrate how art can provide the basis for a new subdiscipline called art, science, and technology studies (ASTS), offering hybrid tools for investigating art-science collaborations. Rogers's subjects include the work of father and son glassblowers, the Blaschkas, whose glass models, produced in the nineteenth century for use in biological classification, are now displayed as works of art; the physics photographs of documentary photographer Berenice Abbott; and a bioart lab that produces work functioning as both artwork and scientific output. Finally, Rogers, an STS scholar and contemporary art-science curator, draws on her own work to consider the concept of curation as a form of critical analysis.
    • Shop: buecher
    • Price: 51.99 EUR excl. shipping
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    How the tools of STS can be used to understand art and science and the practices of these knowledge-making communities. In Art, Science, and the Politics of Knowledge, Hannah Star Rogers suggests that art and science are not as different from each other as we might assume. She shows how the tools of science and technology studies (STS) can be applied to artistic practice, offering new ways of thinking about people and objects that have largely fallen outside the scope of STS research. Arguing that the categories of art and science are labels with specific powers to order social worlds-and that art and science are best understood as networks that produce knowledge-Rogers shows, through a series of cases, the similarities and overlapping practices of these knowledge communities. The cases, which range from nineteenth-century artisans to contemporary bioartists, illustrate how art can provide the basis for a new subdiscipline called art, science, and technology studies (ASTS), offering hybrid tools for investigating art-science collaborations. Rogers's subjects include the work of father and son glassblowers, the Blaschkas, whose glass models, produced in the nineteenth century for use in biological classification, are now displayed as works of art; the physics photographs of documentary photographer Berenice Abbott; and a bioart lab that produces work functioning as both artwork and scientific output. Finally, Rogers, an STS scholar and contemporary art-science curator, draws on her own work to consider the concept of curation as a form of critical analysis.
    • Shop: buecher
    • Price: 29.95 EUR excl. shipping


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